Discovering good movies, one bad movie at a time

Peterloo is, in essence, what happens when Mike Leigh makes a Ken Loach film, and it’s also a costume drama. If you are anything like me, you have already perhaps decided that it is clearly the best movie of the 2010. In which case, I am sorry to have to splash some cold water on […]

No film could possibly earn such a monumental title as Cold War, and at 89 minutes, the new Polish film going by that title (or, anyway, that title in Polish) is hardly monumental besides. But that’s okay, it’s a masterpiece anyway, the best film yet made by director/co-writer Paweł Pawlikowski. And with his last film […]

There are individual moments of goodness littered all throughout Vice, and individual moments of badness, just like with any movie. Unluckily for the film, the moments of badness are all given pride of place, and so what might, in a happier life, have just been a moderately irritating “hip” biopic turns into one of the […]

Want another opinion? Check out Conrado’s thoughts on the film! A movie about the love life of a British monarch, released during the last six weeks of the calendar year, directed by an Oscar-nominated screenwriter who also has a Best Foreign Language Film Oscar nominee to his credit, starring in the three roles a trio […]

It only takes a short while for Widows to prove to us that we’re in good hands. In point of fact, it takes until the very first cut, and the first cut comes rather sooner than we expect it to. Which is, in fact, part of how it shows us we’re in good hands – […]

Because I am fundamentally broken, wretched person, I come to the films in the God’s Not Dead franchise with a certain expectation of laughing at the ineptitude, cringing in merry pleasure at the deep lack of understanding of human behavior, and feeling a twisted, ripped-up churning in my guts, like I’ve got a live copperhead […]

The claims that BlacKkKlansman represents a renaissance for Spike Lee are at least slightly overheated. After all, even his very great movies are frustrating and flawed (except for Do the Right Thing, which is frustrating and perfect), and even his very bad movies are still interesting for the complexity and intensity of their ideas. There […]

I don’t know if Boots Riley has any interest in directing or writing a second feature film. And if he did, I don’t know if I’d expect it to be an even better refinement over his debut, or if he’d have one of those careers that begins in an explosion of pure creativity and then […]

I have to give The First Purge this much credit: it patches one of the biggest holes in the Purge universe. Namely, the titular Purge itself, an annual event held across the United Stated by the neo-fascist governing party New Founding Fathers of America in which all crime is made legal for 12 consecutive hours, […]

The adjective that recommends itself above all others in connection to First Reformed is “unrelenting.” You might, if you have absolutely no idea how cinema works as a medium, be able to avoid figuring out precisely what writer-director Paul Schrader wants you to think about the world, industrialisation, religion in 21st Century America, and despair; […]

I’m not sure that I have such a thing as a list of the filmmakers that I’d be interested in seeing make a biopic of legendary critic, filmmaker, political agitator, and cantankerous asshole Jean-Luc Godard. But I am 100% certain that Michel Hazanavicius would be nowhere remotely near that list if it existed. The one […]

In the first decade of the 21st Century, Argentine director Lucrecia Martel made three feature films and instantaneously became one of the most important and exciting voices in international cinema: first came 2001’s La Ciénaga, then 2004’s The Holy Girl, then 2008’s The Headless Woman, and then silence. Not calculated silence; just one of those […]