Discovering good movies, one bad movie at a time

I admit, I’m impressed Dolittle exists. When a studio spends $175 million (that they’re willing to report in public!) on a production, you expect that there’s going to be some level of soulless quality control involved: this will be buffed and clipped sanded into a flavorless blob, but by God it will not be terrible. […]

As of 18 January 2020, 563 films have been nominated for the Academy Award for Best Picture, and 1967’s Doctor Dolittle is the worst one of them. This is not, we must immediately make clear, an example of a film that’s not very good that still got that nomination, and several others, because it was […]

Of all the major American animation studios to have dominated computer animation in the 21st Century, Blue Sky Studios has almost always had to settle for being the scrappy, hopeless one. And this has only become more pronounced since the 2019 takeover of 20th Century Fox by the Walt Disney Company, which makes Blue Sky […]

You’ve got to hand it to the Walt Disney Company: in only four years and two days, they managed to completely slaughter the golden goose of Star Wars. Like, the strongest brand name in the history of popcorn cinema. That Star Wars. I say this on the occasion of Star Wars: The Rise of Skywalker, […]

If the whole point of a movie is that it follows the narrative logic of a video game, I wonder: does that mean that giving that film a “the same thing only with a few purely cosmetic tweaks” type of sequel actually counts as a strength? This question arrives on the back of Jumanji: The […]

I admire The Aeronauts for its purity. This not a movie that does anything. It’s a movie that seems to exist because somewhere along the line, a producer or writer or director (here, Tom Harper is all three, which means it’s probably safe to blame him) heard about how 19th Century scientists figured out a […]

Once upon a time, when the Walt Disney Company released a massively successful animated feature and wanted to wring some sequel dollars out of it, they would have the decency to farm them out to the B- and C-team animators at Disneytoon Studios and bury them on home video. In 80 years covering 56 feature […]

A shorter version of this review was previously published at The Film Experience There are two different, and perhaps irreconcilable ways to watch Klaus. First, we could look at it as the directorial debut of Sergio Pablos, an animator who rose through Disney in the 1990s, ending up getting his first supervising animator credits on […]

A review requested by Yourself, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! One hates to belabor how baffling the 1980 feature film version of Popeye isΒ  as an aesthetic object; […]

The problems with Maleficent: Mistress of Evil begin right with its title. It’s a reference to a climactic moment in the 1959 Disney animated feature Sleeping Beauty, in which the imperious evil fairy Maleficent, voiced with haughty cruelty by Eleanor Audley, reveals to the protagonists that they have failed in their single goal: “You poor, […]

Nothing about Abominable is even mildly surprising (unless it’s that an English-language movie made by American creators and mostly at an American animation studio should be set in China and have a female protagonist, and neither of these facts are even briefly commented upon), which is kind of a great thing. It doesn’t feel like […]

I have said before and will, I am entirely sure, have reason to say it again: nothing in the whole world of filmmaking in the 2010s interests me as much as the Chinese film industry’s concerted efforts to establish itself as an internationally competitive alternative to Hollywood, concurrent with the swift rise of that country’s […]