Discovering good movies, one bad movie at a time

I wouldn’t precisely say that Oppenheimer is a Christopher Nolan movie for people who don’t like Christopher Nolan movies. I have people in my life who don’t like Christopher Nolan movies, and they’re still pretty cool towards this one. Maybe the way to put it is that Oppenheimer is the Christopher Nolan movie for people […]

Actually trying to talk about Asteroid City, on any level more involved than “I really liked it, best movie of 2023 so far, 4.5 stars out of 5” (which is, for the record, the short version of this review) feels like willfully stepping into the world’s most obvious trap. There’s a recurring plot point in […]

It’s a cheap shot to start a review of a movie with such a sturdy, meat-and-potatoes title as Women Talking with some joke about “they sure do!” or “well, you can’t say the movie didn’t tell you what to expect”, or whatnot. But it is, in fact, a movie that is to an extraordinary degree […]

Hollywood has been battling nightmarish politics with goofy antics for just about as long as cinema has existed. Hell, even the Third Reich inspired its share of comedy classics—not merely decades later (as in, say, The Producers’ deliberately ludicrous “Springtime for Hitler” production number), but while World War II was still very much in progress. […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. In the week now ending: Downton Abbey: A New Era is a movie with a script by Julian Fellowes, focused on […]

The new adaptation of Agatha Christie’s 1937 novel Death on the Nile written by Michael Green and directed by Kenneth Branagh is an almost perfect lateral move, quality-wise from the 2017 adaptation of Christie’s 1934 novel Murder on the Orient Express, also written by Green and directed by Branagh. In a sense, this already speaks […]

Insofar as we should always sit up and take notice when a major film director produces an obviously intimate and personal work, then yes, we should absolute bow in the direction of Licorice Pizza. The ninth feature directed by Paul Thomas Anderson – who is, by any measure, a major director – isn’t a work […]

It was, I believe, my father who introduced me to the phrase “he thinks his shit don’t stink” as a pithy way of denigrating the kind of person who is arrogantly convinced of their righteous infallibility. I will not say of writer-director Adam McKay, and his newest film, Don’t Look Up, that he thinks his […]

If one is adapting the work of comic book artist and author Jack Kirby, particularly the era of Jack Kirby when he was obsessed with Chariots of the Gods and trying to create extraordinary new cosmologies for first the DC and then the Marvel universe, I think the obviously correct thing to do would be […]

The Suicide Squad is one of the most pleasantly “that was exactly the movie I assumed it would be” movies in ages. That is to say: it has always been very clear that it would be better than 2016’s Suicide Squad, to which it is a very vaguely-related sequel. It has also always been very […]

Notwithstanding its title, one of the most acutely generic and forgettable (not to mention, inapt) I have encountered in an age, No Sudden Move is a triumph of writing, with a hell of a script by Ed Solomon that’s as good as any that director Steven Soderbergh has worked with in a good ten or […]

The mash-up at the heart of Breaking News in Yuba County makes perfect sense, even if the results are terrible. The film takes the lacerating cynicism of Gus Van Sant’s 1995 newsmedia satire To Die For and mixes it in with the “several idiots trying to run several different cons; violent farce ensues” of Joel […]