The opening of For All Mankind, the extraordinary 1989 found footage documentary assembled by director Al Reinert and editor Susan Korda, serves as something of a thesis statement for the rest of the film’s 80 minutes. Over black, we hear two things: President John F. Kennedy declaiming passages from his wonderful 12 September 1962 speech […]
The best suspense sequence in any 2018 movie and the current front-runner for best suspense sequence in any 2019 movie depict the same event, and that event is notable primarily for having happened almost 50 years ago, and because everybody in the world already know how it ends. I refer to the 20 July, 1968 […]
Two films ago, in 2015, the doggedly prolific documentarian Frederick Wiseman made In Jackson Heights, a study of one of the most ethnically diverse locations in the United States, the Jackson Heights neighborhood in Queens, in New York. He’s now gone all the way to the other side of the spectrum with Monrovia, Indiana, in […]
American Animals is a very good movie that frankly doesn’t seem to understand why it’s very good. This is apparent right from the very start – or rather, it becomes retroactively apparent that the very start is all mixed up. First, there’s a quote from Darwin, talking about “American animals” colonising cave systems in Kentucky […]
If you did not believe that the late children’s television host Fred McFeely Rogers was the most wholeheartedly good and decent human being to live and work in the 20th Century prior to watching Won’t You Be My Neighbor?, I’m pretty sure you’d believe it afterwards. The film isn’t exactly a documentary of Rogers’s life […]
Screened at the 20th Wisconsin Film Festival. Minding the Gap might be the best coming-of-age movie of the 2010s, in part because it wasn’t designed as such, and the subject which comes-of-age isn’t necessarily a human adolescent, but the movie itself. The film is the feature debut of director Bing Liu, a young man who […]
The biggest problem with Strong Island – but oof, what a terrible way to frame it. The movie has problems, of course; very few movies have absolutely no problems. But not so many movies are good at sympathetically displaying a range of human despair in a tight, intimate way that makes you feel like weeping […]
If one holds onto the belief that movies are first and above all meant to be emotion-generating objects (and this is not the only belief about movies one could hold, but it’s the one I’m happy to stick with as an operating principle), one could hardly hope for a more movie-ish movie than The Work. […]
Fairly early on in the docu-memoir-biography Jane, Dr. Jane Goodall offers a summary of the state of primate research at the dawn of the 1960s that includes reference to a primate scientist whose attempts to blend in with subjects involved covering himself in baboon shit. There is obviously no reason at all for me to […]
I cannot tell you about the moments in Faces Places that brought me the most happiness. This is partially because those moments are clustered in the film’s last 30 minutes, and they are far too wonderful in their little surprises for me to dare spoil them. This is partially, also, because they are so pure […]
First things first: director Amanda Lipitz’s first documentary feature, Step, is about the first graduating class of the Baltimore Leadership School for Young Women, a charter school opened in 2009, and initially founded by Brenda Brown Rever. Lipitz is Rever’s daughter. Maybe this means nothing at all, and maybe it completely invalidates the film’s arguments […]
Any historical film movement is usually going to get discussed in terms of the biggest name-brand directors responsible for the biggest name-brand films, and so it was with the Soviet Montage movement. Any cinephile worthy of the name will know Sergei Eisenstein and Dziga Vertov at least by name, and anyone who likes their work […]
