Discovering good movies, one bad movie at a time

In the early parts of Mainstream, it appears that producer, director, and co-writer (with Tom Stuart) Gia Coppola was really anxious to make her own version of Aunt Sofia’s The Bling Ring. It is not very good at this, and also, by the time the film’s glacially-paced 94 minutes are over, this will seem like the […]

In methodically carving one’s path through something like the Witchcraft series, it becomes important for the reviewer to keep himself amused by plucking at the tiniest little points of distinction, lest every single review turn into exactly the same series of despondent rants. So here is what I think is most interesting about Witchcraft IV: […]

An apology, or if you prefer a warning: this is perhaps less on the order of a review than it is a rant. The thing is, I found Nomadland to be a completely repulsive movie, cloying when it works and actively pernicious when it doesn’t, and simply having to choke it down was galling enough; […]

I could tell you what I thought Assassin 33 A.D. was going to be about, and I would not turn out to have been precisely “wrong”, and it would seem like a completely bugfuck bonkers movie that simultaneously must be seen to be believed, and also is so revolting to human decency that nobody really […]

The Witchcraft series has a reputation for being almost unwatchably terrible, but after 1988’s Witchcraft and 1989’s Witchcraft II: The Temptress, I wasn’t quite feeling that. They’re both awful movies, but there’s a certain grungy pep to The Temptress especially, a certain goofy energy that kept them from being the absolute dregs of cinema. From […]

You may think that this is a straight rip-off of American Psycho, and in some ways you may be right. But this is a woman’s tale. We women are having a moment right now, and this is what we call in Hollywood, an “elevated story concept,” AKA, “the same, but different.” So shut the fuck […]

I have made no effort to hide my disdain for the aesthetic flattening that goes on in the Marvel Cinematic Universe, but it has its plus side, too. Namely, it acts as a control: a film might have a pretty severe ceiling on how good and/or creative it can be, but it also has a […]

The mash-up at the heart of Breaking News in Yuba County makes perfect sense, even if the results are terrible. The film takes the lacerating cynicism of Gus Van Sant’s 1995 newsmedia satire To Die For and mixes it in with the “several idiots trying to run several different cons; violent farce ensues” of Joel […]

A review requested by STinG, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! The path that Samurai Cop has taken through history is close enough to the path of Miami Connection […]

I’m honestly quite glad I was never much of a fan of Tom and Jerry, the cat-and-mouse slapstick cartoon series started by William Hanna and Joseph Barbera in 1940. Because if I was, I can only imagine how much more disgusted I would be by what has happened to the characters and the franchise since […]

Earwig and the Witch, the first feature made by the reborn Studio Ghibli after it seemingly closed up shop for good with 2014’s When Marnie Was There and the 2016 co-production The Red Turtle, finds the company trying to create a new artistic identity for itself. I would say that I am uncertain of how stable […]

I have certainly not seen every single movie released in 2020, but I have an extremely hard time imagining any of them beginning with a more profoundly horrible bit of screenwriting than Godmothered, a Disney thing that clearly hoped to capture some of that old Enchanted magic, and had to settle for being shit out […]