Discovering good movies, one bad movie at a time

For more (that’s more positive) about Scare Me, check out Rob & Carrie’s interview with writer-director-star Josh Ruben! It is inordinately easy to root for Scare Me (one of two films by that title with extremely similar loglines released in 2020; this is the one picked up by the streaming service Shudder as an exclusive). […]

The winner of the latest round of voting in the poll to select what major 2020 release – such as there have been major 2020 releases – I should watch and review next. Vote in that and the other polls if you want to control my, and the website’s fate “What if we did a […]

I have one thing about Disney’s new live-action Mulan that makes me extremely happy: it’s not a mindless shot-for-shot remake of the 1998 animated film, and in this respect is considerably less irksome than the 2017 Beauty and the Beast and the 2019 Aladdin and The Lion King, the other remakes of films from the […]

Is 1929’s The Broadway Melody, as its reputation has it, the very worst film to ever win the Academy Award for Best Picture? Does it actually matter? The film is a great big piece of poo, and whether or not it is slightly smellier or wetter than other pieces of poo, it will empty out […]

A review requested by Mandy, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! Before watching it, I knew about 2013’s Fateful Findings, the breakthrough for writer/director/producer* Neil Breen, only that it […]

One is practically required by law to start any review of the 1999 version of The Haunting by negatively comparing it to the 1963 version of The Haunting, and how dare I do otherwise. The Haunting ’63 is one of horror’s all-time highest water marks, an immaculate piece of visual storytelling on top of being […]

Undead was the first feature film directed by TV commercial veterans and visual effects artists Michael & Peter Spierig, twins who go professionally by The Spierig Brothers. And when I say “the first feature”, I am not at all communicating how much of a first feature it is: the kind of first feature in which […]

There is, I think, an excellent possibility that there is not a worse film with better cinematography than Cool as Ice, the 1991 film where Janusz Kamiński was given more or less an entire free hand to do literally whatever he wanted. And oh my word, did he ever run with that. View it as […]

In King Lear, William Shakespeare has the exiled Edgar remind us that “the worst is not / So long as we can say ‘this is the worst.'” Allow me to paraphrase that for our current situation: the worst is not, so long as we can say “Superbabies: Baby Geniuses 2 was only five years in […]

The release date might say that we’re in the bright and shiny new decade of the 1990s, but everything about Bloodmoon feels hungover from the ’80s in the most mortifying way. Not least of these things – indeed, arguably foremost among these things – it is a slasher film, plain and simple, and it took […]

1992’s live-action/animation hybrid Cool World is the most juvenile kind of edgy Nineties nonsense, the kind that takes something wholesome and something sordid and self-consciously mashes them together just for the same of having done it. In this case, it is a movie whose animating principle (as it were) is to ask the question, and […]