Discovering good movies, one bad movie at a time

Most weeks this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Men in Black: International is the latest attempt to exhume an old franchise whose days of being beloved by […]

Pragmatically, Disney’s new version of Aladdin only had one bar it absolutely had to clear, and it clears it. While this is anywhere from the sixth to the eleventh entry in this unkillable cycle of live-action remake nostalgia jobs, depending on how you count them,* it’s only the second one based on one of the […]

Look deep inside your heart, consider the matter as bloodlessly as possible, and confront the question of whether a movie can be “objectively good” in the first place, and we must ask ourselves, is Pokémon Detective Pikachu (the lack of a colon in that title makes me sad in my heart) actually a good movie? […]

One wishes to never have to say anything negative about a Laika film. The company only exists because multi-billionaire Phil Knight, founder and former CEO of Nike, is an indulgent father, and his son Travis wanted to run an animation studio; it’s been a possibility with every new feature that this might be the one […]

There’s a movie hiding not very deep at all into Shazam! that is exactly what the superhero genre needs right about now: something stripped down and intimate, a bright little character comedy about how kids love superheroes and fantasise about being them and then one gets a chance to be one in actuality. But using […]

The story goes that A Madea Family Funeral is going to be the final big-screen appearance by Tyler Perry’s most famous and infamous creation: the bossy, violent, and vulgar Mabel “Madea” Simmons, played by Perry himself with increasingly diminished enthusiasm over the years. Absolutely nothing in the film suggests  that will be the case (it […]

The best parodies, I have mentioned here and there, come not from a place of superiority, but of love; they are never motivated by the desire to mock, but by a great deal of love for all of the fiddly little details of the thing being made the butt of jokes. In that spirit, let […]

Making one PG-13 slasher film that’s actually enjoyable to watch is impressive enough. Making two of them would probably require divine intervention. So it’s surely the right decision that, in crafting a follow-up to 2017’s startlingly fun and effective Happy Death Day, returning writer-director Christopher Landon would elect to use the slasher form more as […]

The Lego Movie 2: The Second Part is, I am deeply unhappy to report, a bit better than you should expect of the fourth movie in a franchise of animated comedies for children that double as toy commercials. I am unhappy to report this, because 2015’s The Lego Movie wasn’t “better than you should expect”; […]

Every satire of the for-profit art world makes largely the same points about that target, and Velvet Buzzsaw, the third film by writer-director Dan Gilroy, is not looking to break the habit. Oh, sure, it drags in the stuff of a slasher-style horror movie for its second hour, but it’s still basically the same thing […]

A review requested by Erin, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! History remembers Franco Zeffirelli mostly for his 1968 adaptation of Romeo and Juliet, and history goes on to […]

The most overwhelming takeaway from Private Life is that Tamara Jenkins needs to be enabled to make more movies. In a career stretching 20 years, the writer-director has only now made her third feature, following Slums of Beverly Hills in 1998 and The Savages in 2007, and once again she’s created an immaculate gem of […]