Discovering good movies, one bad movie at a time

The question of whether Green Book is worse on race or worse on class is a tough one. It’s at least more spectacularly bad on race; but I, for one, was unprepared for it to touch on class at all, so that came as the far uglier surprise. Either way, it’s the kind of modestly […]

In the words of Robert Worshow, “A man goes to the movies. The critic must be honest enough to admit that he is that man,” and in that spirit, I will lead with my bias: the 2012 Walt Disney Animation Studios release Wreck-It Ralph, 52nd entry in the company’s official canon of animated features, is […]

Want another opinion? Check out Conrado’s thoughts on the film! Joel and Ethan Coen have, in their long career as the most interesting and probably best American-born filmmakers alive, dabbled in damn near every genre that a filmmakers in the last 30 years could possibly get away with dabbling in, but in some way it […]

The most surprising thing about the new animated adaptation of Theodor “Dr. Seuss” Geisel’s 1957 picture book How the Grinch Stole Christmas! – which, in keeping the the 21st Century’s refusal to even pretend like any of us still has an attention span, has shortened the title to just The Grinch – is that it’s […]

Much of the pre-release promotion for the 2000 version of How the Grinch Stole Christmas focused on the extraordinary (and, eventually, Oscar-winning) make-up work it took to get Jim Carrey entombed in the flexible latex mask that allowed him to play Theodor “Dr. Seuss” Geisel’s beloved Christmas-hating misanthrope. And, in particular, on how it was […]

For a company that has spent 90 years now insistently bathing itself in sweetness and light, there’s always been a certain love of dark, spooky shit driving Walt Disney Productions. In 1929, not even a full year after Mickey Mouse made his incredibly successful debut, Walt Disney and Ub Iwerks oversaw the creation of the […]

I am sorry to say that I didn’t write down the exact phrasing, but The Old Man & the Gun opens with a title card that reads something along the lines of “This story, also, is mostly true”. And what the hell do we make of that? “Also” compared to what? This is literally the […]

In the bloodthirsty world of corporate animation, a very strange symbiotic relationship has sprung up between Sony Pictures Imageworks and Warner Animation Group. As part of its ongoing attempt to get back to its noble history of comic cartooning, Warner has twice now contracted with SPI to produce a feature to be released under the […]

The question of how director Paul Feig was going to follow five consecutive feature comedies – four of them assembled through shaggy hang-out improvisation, often centered on Melissa McCarthy’s particular comic rhythms – with an adaptation of a nasty-minded beach-read thriller was so damn confusing that it even formed part of the ad campaign for […]

Categories: comedies, mysteries, thrillers

A review requested by Julia Eastwood, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! Longtime readers perhaps recall my abiding fascination with World War II-era Hollywood films, and they don’t come […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Muppets fuck in The Happytime Murders. Because humanity has fallen from God’s light, it’s no surprise that this is […]

A review requested by Paul Royar, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! Palindromes isn’t merely an example of a kind of film we don’t really have any more, it […]