Discovering good movies, one bad movie at a time

The concept of Colossal is so irresistible, it’s almost impossible to believe that a movie as fumbling as Colossal could have possibly been made out of it. Herein is the story of a woman named Gloria (Anne Hathaway), who has succeeded in fucking up her whole adulthood as a New York-based writer due to alcohol, […]

A review requested by Not Fenimore, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! The title of Bon Cop, Bad Cop is something of an entrance exam. Do you understand why […]

One must be careful about using words like “nadir” to discuss a series when one has not seen all of the entries yet – especially when the series spent as much time in micro-budget direct-to-video hell as the loose-knit Amityville pictures have – but my God, if The Amityville Playhouse, AKA The Amityville Theater, isn’t […]

The Amityville Curse wasn’t the worst Amityville film at the time it came out (no haunted lamp, no sale). But it was undoubtedly the most boring, and isn’t that really just as bad? At least Amityville 4: The Evil Escapes lets you gape at it with unreasoning bafflement that numerous intelligent people decided to make […]

There aren’t too many slasher films as scattered as Curtains. When I put it that way, it sounds like it’s not even a compliment. And I suppose it probably isn’t a compliment, at that, given how much the movie at the end feels like a collection of scene ideas tacked to a board over the […]

The tyranny of awards-season chatter is that it reduces interesting movies to uninteresting horse race conversation, so let’s get the dull part out of the way: yes, Brie Larson is fantastic in Room. This is only surprising if you haven’t been paying attention. Brie Larson is always fantastic. She was fantastic in Don Jon, where […]

It’s of course lazy and arguably bigoted, speaking to a cramped sample set, to suggest that Italian Filmmaker A and Italian Filmmaker B resemble each other in no small part because they are both Italian. But it is a national cinema that particularly favors enormous, lavish spectacle, and there’s never been a point since WWII […]

It’s clear long before Maps to the Stars reaches its conclusion that whatever it finds there is going to be unfulfilling. The film thrives far too much on a shaggy, wandering tone of mystified bitterness that flares up regularly into hilarious, but pitch black comedy; it finds interesting and unexpected echoes and overlaps between scenes, […]

This review is dedicated to Father Chris J., whose dogged persistence in wanting me to review this movie has been incredible – and entirely justified, as I have finally learned. Beyond the Black Rainbow is the sort of film that makes one badly want to start listing out all its apparent influences and the other […]

So, Left Behind II: Tribulation Force, the 2002 DTV sequel to the hardcore conservative Christian classic Left Behind. If the only thing you tell me about that film is its title, and the fact that it involves a small group of True Believers facing off against the Antichrist during the Tribulation (which is, in the […]

At the risk of seeming indelicate or bigoted: fundamentalist evangelical Christian genre movies are weird. As I am not remotely the first to point out, they represent a miserable kind of paradox about them: they palpably want to be exciting cinema like wot the heathens all get to watch with their guns and their scantily […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: the most outlandish movie yet made by the Marvel film factory, Guardians of the Galaxy, at least wins points […]