Discovering good movies, one bad movie at a time

House of 1000 Corpses is an energetic, lively movie, but it is also a substantially dysfunctional one, better-suited for demonstrating writer-director Rob Zombie’s all-encompassing love for the horror genre than for working as an audio-visual narrative object. It’s the kind of first feature that a filmmaker needs to get out of their system so they […]

A review requested by WBTN, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! There is a truism, one I’ve mentioned a few times here and there, that despite what you might […]

From among the Video Nasties In 1963, indie producer-director and godfather of gore and direct marketing Herschell Gordon Lewis made Blood Feast, a movie typically identified as the very first gore picture (that is, a movie with no intrinsic merits and no hook to its marketing campaign other than “there is blood, lots of it). […]

From among the Video Nasties I’m not sure whether what is most impressive about Night of the Bloody Apes is a positive (there’s so much wacky bullshit going on here that it saves the film from that meanest of fates, being boring) or a negative (it’s so boring that I lost interest halfway through even […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: to my great chagrin, I have lived on this globe 36 years and more without ever having seen the […]

A review requested by Brian F, with thanks for donating to the Second Quinquennial Antagony & Ecstasy ACS Fundraiser. The first question: how is one to even go about the task of watching The Night of a Thousand Cats? The film was first released in its native Mexico in 1972 (the Spanish title is La […]

A review requested by Salim “STinG” Garami, with thanks for contributing to the Second Quinquennial Antagony & Ecstasy ACS Fundraiser. I’ll freely admit that I can’t tell if Class of 1984 is a good movie or not. On the one hand, it’s unmixed, trashy exploitation, portraying a most overheated melodrama that plays on the audience’s […]

If you’re going to make a new version of a ’70s Italian cannibal movie, to be set in the American Old West, the first thing to do is ask yourself why the actual fuck you want to do that. But okay, let’s assume you come up with a satisfying answer, so you go ahead and […]

So you’d have to be such an idiot that there’s not a word for it in English to expect a film titled Nail Gun Massacre to be even a little bit classy. Still, the speed with which it reveals the incorrigible depths to which its not-classiness reveals itself caught me by surprise – it’s not […]

From among the Video Nasties Any honest accounting of the history of American horror filmmaking has to bow in the direction of the enormous influence of The Last House on the Left, the 1972 debut of writer-director Wes Craven and a solid contender for the title of most controversial movie of the last half-century. It […]

Take my hand – or whatever other body part you prefer – and walk with my back to the 1970s, and the Golden Age of Eurosmut. It was a time when the boundary between the glaciated art films developed from the mid-’50s onward and the new world of pornography was as thin and porous as […]

(Part 2 of 2. Be sure to check out the companion review!) The Forbidden Dance made less than half of what the Warner-released Cannon production Lambada made their shared opening weekend; but we are speaking in terms of the purest relativism. Lambada still opened in eighth place and made less than one-fifth of that weekend’s […]