Discovering good movies, one bad movie at a time

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Between 1984 and 2018, we got 18 feature films and two anthology segments by “the Coen Brothers”, and despite a wide, eclectic range of genres, stories, and tones, these films collective display an extremely unified creative voice. Between 2021 and 2024, we now have two feature films made by only Joel Coen and only Ethan […]

A review requested by Kelleson, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! Midway through director Frank Henenlotter’s sixth and (thus far) last narrative feature, the 2008 Bad Biology, one of […]

Not Okay, the Hulu-based sophomore effort from actress-writer-director Quinn Shephard, opens with a much-discussed “content warning” that the film we are about to experience contains “flashing lights, themes of trauma, and an unlikable female protagonist.” It’s a tweak of the viewer’s nose intended to set a cheeky tone and make some kind of statement about […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Where the Crawdads Sing tells the story of a young woman who lives and thrives in a swampland, away […]

More than one filmmaker has burst onto the scene with one really good horror movie and built a career out of insubstantial remakes of that one movie. So for that alone, one must extend no small amount of credit to Frank Hennenlotter, whose 1982 debut feature Basket Case was rather more than just “one really […]

There was a stretch of time around the end of the 2000s and the start of the 2010s where Ti West was pretty much the hippest director of English-language horror films. And then, for absolutely no reason I can confidently point to, he simply wasn’t there any more. His last horror feature was The Sacrament […]

A review requested by Not Fenimore, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! The 1985 Cannon Films production Lifeforce is two entirely different exploitation films in one. Three, if you […]

Intermittently throughout the summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to a major new release. This week: the myth of Candyman has been resurrected to remind us all of the nightmarish power of storytelling. It’s not the first […]

In methodically carving one’s path through something like the Witchcraft series, it becomes important for the reviewer to keep himself amused by plucking at the tiniest little points of distinction, lest every single review turn into exactly the same series of despondent rants. So here is what I think is most interesting about Witchcraft IV: […]

Adaptations of H.P. Lovecraft are, all things considered, pretty rare; good adaptations of H.P. Lovecraft barely exist at all. So it’s maybe more inevitable than surprising that the two best Lovecraft-derived films come from precisely the same filmmaking team: director Stuart Gordon, producer Brian Yuzna, co-writer Dennis Paoli, working under the aegis of Charles Band’s […]

To claim that Re-Animator, a faultless hybrid of no-holds-barred splatterpunk horror and pitch-black comedy from 1985, is the best movie ever drawn from the writing of H.P. Lovecraft is to merely claim the offensively obvious. It doesn’t take very much at all to be one of the best Lovecraft adaptations (he’s a good candidate for […]