Discovering good movies, one bad movie at a time

The winner of the latest round of voting in the poll to select what major 2020 release – such as there have been major 2020 releases – I should watch and review next. Vote in that and the other polls if you want to control my, and the website’s fate If, as is so often […]

The 1983 animated feature Barefoot Gen has the bad luck to suffer from being overshadowed from two different directions. First, it’s an adaptation of one of the most important manga of the 1970s, Nakazawa Keiji’s very loosely autobiographical story about a six-year-old boy living in Hiroshima at the time that residents of that city became […]

The Russian language does not have a definite article. Instead, as with most languages with the same characteristic, the difference between a generalised version of an object and this specific example of an object is largely gleaned through context. But that context is not available for a standalone noun, and here’s where we come to […]

Anna Seghers’s 1944 novel Transit is a ripped-from-the-headlines tale of the paranoid life of refugees in Nazi-occupied Marseille in 1942, telling the story of the constant feeling of danger and despair on the part of people clustered in the last escape hatch from an increasingly locked-down Europe. Christian Petzold’s 2018 adaptation of the novel is… […]

Before I go anywhere with A Hidden Life, the tenth film directed by Terrence Malick in 46 years, and also the sixth in just the last eight years, I must remind you all that I am a fanboy incapable of anything like the proper objective distance from this director and his work. When the critical […]

In truth, it doesn’t matter to me that it’s a Romanian film (I tend to love Romanian films), a dark comedy (most of my favorite Romanian films are dark comedies), a story about totalitarian politics (my favorite Romanian dark comedy, 12:08 East of Bucharest, is about the nation’s history of totalitarianism), or as the cherry […]

Midway is an English-language film financed substantially with Chinese money, directed by a German, about one of the defining American victories of World War II. If you’re thinking that means it’s probably a muddle, I have good news: you’re not wrong. We could put it another way: you know how Roland Emmerich has kind of […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Avengers: Endgame is actually last week’s film, but since it’s still making simply gaudy amounts of money, it seemed […]

A review requested by Michael Matula, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! Pink Floyd’s 1979 double album The Wall was accompanied by one of the most ridiculously complex tour […]

In these times of great social change and a rapidly-shifting baseline for how cinema attempts to position itself in the world, Darkest Hour is comfortingly reactionary bit of nothing. I don’t in anyway refer to its content, though that is too; I’m simply referring to how very much this feels like something that somebody might […]

2017 has been a big year for British-made (or at least, British director-made) movies about World War II, and it takes a lot to be the most fucking stupid out of all of them. But Churchill, written by Alex von Tunzelmann and directed by Jonathan Teplitzky, is amply up to the task. I hope we […]

It is quite impossible for Mudbound to be a mere 134 minutes long, and I’m not sure if it is the film’s great strength that it manages to cram such an unrelenting quantity of stuff into that running time, or if perhaps there is some other world where it clocked in at three hours and […]