Discovering good movies, one bad movie at a time

TIM: Welcome all to a very special Alternate Ending review. Our subject for today is the latest adaptation of the fairy tale Cinderella, this one prepared by Sony for a planned theatrical release that got squashed like so many others by the COVID-19 pandemic. Instead, it has entered the world as an Amazon Studios original, […]

Prior to seeing Shang-Chi and the Legend of the Ten Rings, a mainstream popcorn blockbuster-type comic book movie from a production company that has gotten quite a lot of mileage out of casting wonderful actors in roles that are much too small for them, I’ve been a bit snarky in talking about it like the […]

It’s missing the point, I know, but the question I feel compelled to start with is: did we need a revisionist version of Sir Gawain and the Green Knight? The 14th Century Middle English poem is a timeless favorite of medieval literature buffs, but how many of us can there possibly be? Certainly not enough […]

Intermittently throughout the summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to a major new release. This week: David Lowery and A24 have brought us a moody art-film version of most beloved of 14th Century romances in the form […]

We could run through a decent list of the things about the (for now) newest cinematic adaptation of Carlo Collodi’s 1883 children’s novel The Adventures of Pinocchio that sound like they should be interesting, but are in fact not actually very interesting. This is different than saying the film is “bad”: it is on the […]

The simple part first: the massive, monumental beast of a comic book movie released under the gravely ponderous title Zack Snyder’s Justice League is better in basically every single way that can be quantified than just plain Justice League from 2017, which is both fundamentally the same thing and so wildly, indescribably different that it […]

Given the pandemic-related days to its release date, Raya and the Last Dragon, the 59th animated feature in the Walt Disney Animation Studios canon has by chance landed on exactly the same weekend, relatively speaking, as Pixar Animation Studios’ first release of 2020, Onward – the tenth weekend of their respective calendar years. And this […]

Earwig and the Witch, the first feature made by the reborn Studio Ghibli after it seemingly closed up shop for good with 2014’s When Marnie Was There and the 2016 co-production The Red Turtle, finds the company trying to create a new artistic identity for itself. I would say that I am uncertain of how stable […]

Lord forgive me for starting with the most obvious question, but in the case of Timmy Failure: Mistakes Were Made, it is the most obvious because it is also the most dumbfounding: how is it that one goes from directing the winner of the Academy Award for Best Picture to making a direct-to-streaming children’s movie […]

The film that has been released in the United States and the United Kingdom as [The] Iron Mask, with the article disappearing if you (like me) are west of the Atlantic – that banal little title covering up a truly dumbfounding number of AKAs in at least English and Russian including Viy 2, Journey to […]

Every film director in the history of the medium has made, or will have made, their final film. Most of them scrape out some dumb nonsense, the kind of half-assed project that a fading, aging artist can get financed. The lucky ones are able to do so at least semi-knowingly, ending their career on a […]

Not everyone will agree with me, I know, but to my mind, 2017’s Wonder Woman sets up a pretty high bar to clear, as one of the few superhero movies of the 2010s to successfully thread the needle between “superhero comics are modern mythology, with all the gravity that entails” and “popcorn movies need to […]