Discovering good movies, one bad movie at a time

The films of Don Bluth have been a much more reliable source of franchise than I would have ever imagined. The Secret of NIMH got a sequel, though it took 16 years; An American Tail got three sequels, one of which played theaters; All Dogs Go to Heaven, despite being wildly perceived as a failure, […]

The dream of Sullivan Bluth Studios, later Don Bluth Entertainment, came to a miserable end late in 1994. Over the previous nine years, the company (the second one co-founded by Bluth) had ascended as high as An American Tail in 1986 and The Land Before Time in 1988, the first two animated features ever to […]

The drastic tumble that animation director and producer Don Bluth took in the 1990s is shocking and even a little bit sad. His career in the 1980s was dedicated to the idea that there was a better way to do animation than the clunky kiddie junk that Walt Disney Feature Animation had been reduced to, […]

51 years after the premiere of the animated series Scooby-Doo, Where Are You! on television, I can absolutely see where the idea of using a reboot of that series to launch a Hanna-Barbera Cinematic Universe makes business sense. That’s three or even four completely distinct generations that have grown up with Scooby-Doo, the one Hanna-Barbera […]

The powerful thirst of the Italian children’s movie marketplace for animated Titanic features was not slaked at one, nor even two. That is why, five years after the batshit crazy The Legend of the Titanic and four years after that film’s gruesome rip-off Titanic: The Legend Goes On…, the world finally received a proper sequel […]

It is simply impossible to think that 1999’s The Legend of the Titanic, one of the worst animated films I have ever seen  or could imagine seeing, was such a big deal that it could inspire a quick, cheap knock-off, but here we are with 2000’s Titanic: The Legend Goes On… or Titanic: The Legend […]

I guess it’s not really “surprising” that there weren’t really any knock-offs of James Cameron’s 1997 box-office behemoth Titanic to speak of; pragmatically, what could you do? There’s kind of only the one story to tell, and nobody was going to have the budget to tell it better. So outside of a flood of non-fiction […]

When I have in the past talked about Isao Takahata, a man who’s certainly in the conversation about my favorite animation directors of all time if he’s not indeed #1, it has usually been to reflect on how, to a degree unseen in Japanese animation prior to the ascendance of Yuasa Masaaki, most of his […]

Lady and the Tramp was the fifth, count ’em, fifth film released by the Walt Disney Company in 2019 that was more or less a redo of one of their classic animated features done up in some ungainly combination of live-action videography and CGI, following Dumbo, Aladdin, The Lion King, and Maleficent: Mistress of Evil, […]

A review requested by Kelleson, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! “Adult animation” is a category so broad as to be meaningless,* but I bet if I just put […]

Sonic the Hedgehog is so deeply adequate that it’s almost hostile. The film comes fully predigested, with every single bit of its plot, every character beat, every gag telegraphing itself and its intended response; it is the kind movie for which the existence of an independent, thinking audience seems almost like an unnecessary complication to […]

I admit, I’m impressed Dolittle exists. When a studio spends $175 million (that they’re willing to report in public!) on a production, you expect that there’s going to be some level of soulless quality control involved: this will be buffed and clipped sanded into a flavorless blob, but by God it will not be terrible. […]