Discovering good movies, one bad movie at a time

The conventional wisdom around Ready or Not is that it’s a lacerating satire of vicious, hapless rich people, a smart commentary on the depravities of the 1%, a Film For Right Now. And okay, sure. It can do that if you want it to. I don’t think it does it particularly well, or with anything […]

Ask a horror fan what draws them to the genre, and you’ll get any number of possible answers. Ask that question of, say, a twelve-year-old horror fan, and I suspect that the range of answers will be at least somewhat narrowed down: and high on that list would be gross corpses with lots of gore […]

For some years now, director Quentin Tarantino has been maintaining that his tenth feature will also be his last. While I don’t actually believe that (artists retire when they die, no earlier), I suddenly find myself deeply hoping that he doesn’t believe it either. Or maybe that when he says that it will be “his” […]

Most weeks this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Men in Black: International is the latest attempt to exhume an old franchise whose days of being beloved by […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Disney revives the evergreen “Arabian Nights adventure” genre with their new remake of Aladdin. The studio’s original 1992 version […]

With John Wick: Chapter 3 – Parabellum, stuntman-turned-director Chad Stahelski and his team at 87Eleven Productions have achieved one of the rarest and most impressive feats in Hollywood filmmaking: they’ve made a trilogy (for now) in which every film has improved upon the one preceding. And 2014’s John Wick wasn’t any kind of low bar […]

Take out the end credits, and UglyDolls is about 80 minutes long. I spent every single one of them trying to figure out what hell was wrong with their mouths. Let’s do an exercise, you and I. Lightly put your hand on your face, right around your cheekbones. I’m serious, please do it. So much […]

If we must get these Disney remakes of their animated features done in unattractive, narratively slack live-action/CGI hybrids – and 2019 is making a particularly loud case that we must – I would say that you could honestly do a lot worse than picking up 1941’s Dumbo as a target. The original film is pure […]

Producer-writer James Cameron has been nurturing a screen adaptation of Kishiro Yukito’s manga series Battle Angel Alita almost since it was first translated into English in the 1990s. And this is perhaps why Alita: Battle Angel – the every-so-slightly-worse-named feature that has finally emerged from that years-long dream – feels so much like a film […]

Aquaman is the dorkiest fucking movie. I think I slightly loved it. This is a film that luxuriates in all of the absolute dumbest bullshit of superhero comics: the overwrought dialogue in which words like Cylinder and Trench are repeatedly declaimed with unmistakable Capital Letters; unbelievably squirrelly concept like sharks with laser cannons on their […]

It’s certainly more common knowledge 25 years later than it was at the time of the film’s premiere in October 1993 (when Disney did everything in its power to hide the information), but it still bears mentioning that the film which has been marketed since Day 1 as Tim Burton’s The Nightmare Before Christmas is […]

Previously reviewed at the Film Experience Spider-Man: Into the Spider-Verse is a joyful, celebratory movie. I cannot name another superhero movie in the 40 years since Superman invented the modern version of the genre that has so perfectly captured the free-floating, whiz-bang, everything-is-possible delight of comic books. This is the movie version of a child […]