Discovering good movies, one bad movie at a time

The 2001 animated feature Metropolis, a science fiction parable about robots and class struggle in an incredible Art Deco super-city, has its work cut out for it twice over. First, it’s living in the shadow of that other science fiction parable about robots and class struggle in an incredible Art Deco super-city titled Metropolis, the […]

A review requested by Gavin, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! There are two different sides to groundbreaking animation director Ralph Bakshi, and I confess that I don’t particularly […]

It’s rare to come across a movie so very difficult to prepare for as Dead Leaves, a 2004 animated film directed and designed by Imaishi Hiroyuki and made by the studio Production I.G. The film’s style isn’t completely sui generis, and there are films that have come out since its premiere that openly borrow from […]

Any serious bad movie watcher knows that the films that are very famous for being bad generally aren’t really the worst of the worst. Like, Plan 9 from Outer Space? Helpless and very stupid, but it’s got its charms – it’s not even the worst Ed Wood movie. The subjects of Mystery Science Theater 3000? […]

51 years after the premiere of the animated series Scooby-Doo, Where Are You! on television, I can absolutely see where the idea of using a reboot of that series to launch a Hanna-Barbera Cinematic Universe makes business sense. That’s three or even four completely distinct generations that have grown up with Scooby-Doo, the one Hanna-Barbera […]

My impression is that Stalker, the fifth and final film Andrei Tarkovsky made in the Soviet Union (customarily, one does not think of Soviet artists being allowed to up and leave the country to make movies in the decadent West, but I like to imagine that Goskino was just grateful to see him go), is […]

1999’s Baby Geniuses is complete garbage, shockingly misconceived as a concept, with horribly executed technique that plunges it into the darkest, mildewiest hollow of the Uncanny Valley. So imagine the horrors I have in store for us when I declare – and I mean it with the most utterly tranquil sincerity – that it didn’t […]

The most amusing thing about the 1972 adaptation of Solaris – a film about which very little is amusing, to be fair – is that Andrei Tarkovsky made it, basically, as a “one for them” project. His previous feature, Andrei Rublev, had met with enormous hostility upon delivery, and was shelved for five years; his […]

Hyperbole is a dangerous thing, but even so, Redline is one of the most striking-looking animated movies I have ever seen. The film’s style feels like it should be easier to pin down than  it is; there’s a clear indebtedness to ’60s pop art and  ’90s and ’00s digitally-colored comics in the bold swatches of […]

Animation and surrealism – and I am here referring to surrealism in a narrower sense (though not the strictest sense), as the attempt to visually reconcile dream-reality and waking-reality into a single state, not as an intensified word for “weird” – have a difficult relationship. On the one hand, since surrealism is, in its way, […]

One thing that nobody can take away from Bacurau, the third feature directed by Brazilian art house favorite Kleber Mendonça Filho (co-directing here alongside his former production designer Juliano Dornelles): it’s unpredictable. The film wear so many hats over the course of its 131 minutes, sometimes wearing them on top of each other, that it’s […]

I think it is worth being fair to screenwriters David Desola and Pedro Rivero: I’m sure the genesis of The Platform was at least a little bit more sophisticated than, “what if Snowpiercer was, like, vertical?” But wherever the idea ultimately came from, the comparison is there to be made, and reductive as it is, […]