Discovering good movies, one bad movie at a time

The cumulative directorial career of New Zealand-born Tony Williams consists, near as I can tell, of one short film, seven made-for-TV documentary shorts, two narrative features, and (thirty years later than the rest), three documentary features. Of that entire list, the second feature, 1982’s Next of Kin, is the only thing that is even remotely […]

Joel & Ethan Coen have made a career-long habit of never repeating themselves two films in a row – maybe to keep themselves entertained, or looking to keep themselves from being pigeonholed, I don’t know. Even so, there’s nothing in their career that compares to how hard they switched things up after the great success […]

The most amusing thing about the 1972 adaptation of Solaris – a film about which very little is amusing, to be fair – is that Andrei Tarkovsky made it, basically, as a “one for them” project. His previous feature, Andrei Rublev, had met with enormous hostility upon delivery, and was shelved for five years; his […]

Given the way I’m framing this summer’s marathon of horror movies, it’s hard to resist the temptation to speculate about the “Australianness” of these films, how their peculiarities reveal something about the cultural character of that continent and its film production. The fact that I don’t really know all that much about Australian culture puts […]

One thing that nobody can take away from Bacurau, the third feature directed by Brazilian art house favorite Kleber Mendonça Filho (co-directing here alongside his former production designer Juliano Dornelles): it’s unpredictable. The film wear so many hats over the course of its 131 minutes, sometimes wearing them on top of each other, that it’s […]

Broadly speaking, writer-director-producer Tyler Perry makes two kinds of feature films: funny ones that are awful, and serious ones that can, from time to time,be okay. The last serious one was Acrimony in 2018, and before that was Temptation: Confessions of a Marriage Counselor in 2013, both of which break that general pattern by being […]

A review requested by Kelleson, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! “Adult animation” is a category so broad as to be meaningless,* but I bet if I just put […]

When a film comes into the world with the kind of uncommonly bad reputation as The Grudge, 2020 edition – simultaneously a remake of and sequel to the 2004 film of the same name, and the 13th feature film in a multi-national horror franchise with at least three different continuities – the obvious first question […]

It is occasionally the case that a film has such a perfect first shot that, the moment it appears before your eyes, you already know that you’re about to see a masterpiece. Atlantics has such a first shot: a sleek new skyscraper rising in the background above a street in Dakar, capitol city of Senegal. […]

To talk about Knives Out in any remotely sensible way, I’m going to have to tell you something that happens about one-quarter of the way through the 130-minute movie. Ordinarily, this wouldn’t be a problem at all – the convention I have always followed is that spoilers are things that happen in the second half […]

I will, with some mystified sadness, credit Don’t Let Go with showing me one thing I wouldn’t have necessarily expected to see: it turns out that you can assemble a cast that is approximately 50% comprised of David Oyelowo, Alfred Molina, Mykelti Williamson, and Brian Tyree Henry, and still have absolutely nothing worth watching in […]

Intermittently this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: in Don’t Let Go, a cop is able to communicate across time with a dead relative and feed her the […]