Discovering good movies, one bad movie at a time

I will, with some mystified sadness, credit Don’t Let Go with showing me one thing I wouldn’t have necessarily expected to see: it turns out that you can assemble a cast that is approximately 50% comprised of David Oyelowo, Alfred Molina, Mykelti Williamson, and Brian Tyree Henry, and still have absolutely nothing worth watching in […]

Intermittently this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: in Don’t Let Go, a cop is able to communicate across time with a dead relative and feed her the […]

A review requested by John Taylor, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! First things first: form dictates that I give this film a star rating, and I want you […]

Look deep inside your heart, consider the matter as bloodlessly as possible, and confront the question of whether a movie can be “objectively good” in the first place, and we must ask ourselves, is Pokémon Detective Pikachu (the lack of a colon in that title makes me sad in my heart) actually a good movie? […]

A review requested by WBTN, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! There is a truism, one I’ve mentioned a few times here and there, that despite what you might […]

The script for what eventually became the simply awful comedy Holmes & Watson was first announced in 2008. After a couple of cast changes, the project was shot in 2017 and delayed twice before appearing as one of the least-merry films that could possibly have opened on Christmas Day, 2018. That decade weighs heavily on […]

The surprise is not that Escape Room, a body count thriller released in January, isn’t good. The surprise is that it’s almost good, and the reasons it ends up going bad aren’t probably the ones you’d predict. There are not, at least, the ones I’d have predicted. The desire to retain a teen-friendly level of […]

Categories: mysteries, thrillers

Lee Chang-dong is by no means the most prolific of the many great South Korean directors to come to major prominence in the 21st Century: Burning, his sixth feature, comes to us after a long eight-year gap since his fifth, 2010’s lovely Poetry. But he does maybe put up a real fight to be considered […]

The Plague of the Zombies certainly isn’t the best horror film made by Hammer Film Productions: the climax features some really dodgy effects work, the sound mix needed another pass, there’s a hellaciously bad day-for-“night” sequence, and frankly only a very young person would have a terribly hard time getting out in front of the […]

As the late 1950s faded into the early 1960s, perhaps the two most interesting things happening anywhere in horror cinema (change “perhaps” to “absolutely” if we limit the conversation to the English-speaking world) were the heavy shift over to Gothic horror pictures made by Britain’s Hammer Film Productions, and the brief but intense and unbelievably […]

It is real kind of Hold the Dark, the fourth film directed by Jeremy Saulnier, to sum up all of its problems in one single shot. Or, I guess, a pair of shots. Late in the film, there’s a very long, extravagant gun battle (no spoiler: it is one of the only things anybody has […]

The question of how director Paul Feig was going to follow five consecutive feature comedies – four of them assembled through shaggy hang-out improvisation, often centered on Melissa McCarthy’s particular comic rhythms – with an adaptation of a nasty-minded beach-read thriller was so damn confusing that it even formed part of the ad campaign for […]

Categories: comedies, mysteries, thrillers