Discovering good movies, one bad movie at a time

Like many of you, I greatly enjoy John Wick and John Wick: Chapter 2. Now, I’m going to go out on a limb here, and assume that those of you who agree with me – and for that matter, those of you who do not – probably do not spend much of your time thinking, […]

The general tenor of reviews of Glass suggest that, after a two-film renaissance consisting of 2015’s The Visit and 2017’s Split, writer-director M. Night Shyamalan is up to his bad old tricks again. But I don’t know, I think that this actually is a return to form: sharp-looking movies with with an elegantly classical visual […]

Ultimately, there is a grand total of one test that Welcome to Marwen has to pass, and it does not. To wit, does this film do anything to justify its existence in face of the 2010 documentary Marwencol, which treats on exactly the same subject as this highly fantasised biopic, and does so with great […]

Aquaman is the dorkiest fucking movie. I think I slightly loved it. This is a film that luxuriates in all of the absolute dumbest bullshit of superhero comics: the overwrought dialogue in which words like Cylinder and Trench are repeatedly declaimed with unmistakable Capital Letters; unbelievably squirrelly concept like sharks with laser cannons on their […]

After five films ranging from sub-adequate to freakishly bad, the idea that all it would take to make a satisfactory Transformers film would be to have 1) a prequel, 2) centered around one of the dullest characters in the franchise is ludicrous on its face. And yet here we are with Bumblebee, which manages not […]

Previously reviewed at the Film Experience Spider-Man: Into the Spider-Verse is a joyful, celebratory movie. I cannot name another superhero movie in the 40 years since Superman invented the modern version of the genre that has so perfectly captured the free-floating, whiz-bang, everything-is-possible delight of comic books. This is the movie version of a child […]

The newest film titled simply Robin Hood – this one starring Taron Egerton as England’s favorite socialist thief – is dumb. Fucking dumb, one might even say; dumb as balls. But there’s an alchemical quality to its utter, hapless stupidity, one borne of its absolute commitment to the most insane shit. It is a terrible […]

Tom Hardy’s ever-increasing collection of accents – you might love ’em, you might hate ’em, but you sure as hell can’t deny that he sure as hell commits to ’em. I had not even though to live in hope that there might come a day when Hardy would pull up a bigger, loopier, more vivaciously […]

It’s reckless as hell to say, after the man has made a grand total of two feature films separated by eight years, that Panos Cosmatos is one of my favorite active filmmakers. It’s reckless to assume he even is active in any meaningful sense, or that his two extant films will be joined by a […]

1987’s Predator is an ideally stripped-down version of itself: a 1980s movie about a bunch of muscled meatheads typical of that decade’s action pictures encountering the one thing in this world (or rather, out of it) that’s tough enough to tear through them like wet toilet paper. It reduces both the ethos of Hollywood action […]

Bad movies happen all the time. Anybody can make a bad movie: all you need is some flat dialogue, lazy cinematography, actors in over their heads, an unprepared director, poorly thought-out story beats, an inattentive editor, cheap sound equipment. Or any combination of the above. No, there’s nothing particularly interesting about a bad movie. But […]

So here’s the thing: The Meg is actually able to concoct a reason for Jason Statham to get into hand-to-hand combat with a 75-foot shark. That is, in a sense, the whole of what the film needs to do, and I unhesitatingly admire it for this, and even love it for this, even though I’m […]