Discovering good movies, one bad movie at a time

The winner of the latest round of voting in the poll to select what major 2020 release – such as there have been major 2020 releases – I should watch and review next. Vote in that and the other polls if you want to control my, and the website’s fate “What if we did a […]

I have one thing about Disney’s new live-action Mulan that makes me extremely happy: it’s not a mindless shot-for-shot remake of the 1998 animated film, and in this respect is considerably less irksome than the 2017 Beauty and the Beast and the 2019 Aladdin and The Lion King, the other remakes of films from the […]

Forgive me if start talking about Tenet, the eleventh feature directed by Christopher Nolan (and, I am tempted to say, the most Nolan-ish of them all), by simply quoting what I had to say ten years ago about Inception, the seventh Nolan feature: “What some critics have praise/assailed as ‘confusing’ in [Tenet] is really just […]

So help me, I really do feel sorry for The New Mutants and the poor saps who made it. If all had gone according to plan, it would have slunk into theaters in April 2018, gotten bored reviews comparing it unfavorably to Logan as an example of trying to do a different genre than action-thriller […]

I do not like to start reviews with the most obvious possible statement that hundreds of people before me have already pointed out, but sometimes it doesn’t pay to be clever. And so: the 2000 ancient world epic Gladiator is quite clearly what you get when 1995’s Braveheart and 1998’s Saving Private Ryan have a […]

It is difficult to avoid overvaluing 1994’s Street Fighter is. Okay, it’s actually very easy to avoid that, since Street Fighter is a massive failure, the grotesque mutant child of a calamitous shoot. You know all the stories about movies like Casablanca or Jaws, where the production history is just one catastrophe after another, they […]

I won’t go so far as to say that there’s nothing that can prepare you for Tekkonkinkreet, the 2006 film that, among its many traits, was the first significant Japanese-produced animated feature directed by a non-Japanese person (the man with that honor was Los Angeles-born Michael Arias, who got his start in visual effects and […]

Any serious bad movie watcher knows that the films that are very famous for being bad generally aren’t really the worst of the worst. Like, Plan 9 from Outer Space? Helpless and very stupid, but it’s got its charms – it’s not even the worst Ed Wood movie. The subjects of Mystery Science Theater 3000? […]

1999’s Baby Geniuses is complete garbage, shockingly misconceived as a concept, with horribly executed technique that plunges it into the darkest, mildewiest hollow of the Uncanny Valley. So imagine the horrors I have in store for us when I declare – and I mean it with the most utterly tranquil sincerity – that it didn’t […]

It’s easy – very, very easy, I’d say – to look at the current state of comic book movies and feel nothing but cold dislike for the machine-pressed non-art that the genre has largely turned into, as we enter the third decade of the post-X-Men superhero boom. But, while I have no desire to apologise […]

Hyperbole is a dangerous thing, but even so, Redline is one of the most striking-looking animated movies I have ever seen. The film’s style feels like it should be easier to pin down than  it is; there’s a clear indebtedness to ’60s pop art and  ’90s and ’00s digitally-colored comics in the bold swatches of […]

One thing that nobody can take away from Bacurau, the third feature directed by Brazilian art house favorite Kleber Mendonça Filho (co-directing here alongside his former production designer Juliano Dornelles): it’s unpredictable. The film wear so many hats over the course of its 131 minutes, sometimes wearing them on top of each other, that it’s […]