Discovering good movies, one bad movie at a time

I won’t go so far as to say that there’s nothing that can prepare you for Tekkonkinkreet, the 2006 film that, among its many traits, was the first significant Japanese-produced animated feature directed by a non-Japanese person (the man with that honor was Los Angeles-born Michael Arias, who got his start in visual effects and […]

Any serious bad movie watcher knows that the films that are very famous for being bad generally aren’t really the worst of the worst. Like, Plan 9 from Outer Space? Helpless and very stupid, but it’s got its charms – it’s not even the worst Ed Wood movie. The subjects of Mystery Science Theater 3000? […]

1999’s Baby Geniuses is complete garbage, shockingly misconceived as a concept, with horribly executed technique that plunges it into the darkest, mildewiest hollow of the Uncanny Valley. So imagine the horrors I have in store for us when I declare – and I mean it with the most utterly tranquil sincerity – that it didn’t […]

It’s easy – very, very easy, I’d say – to look at the current state of comic book movies and feel nothing but cold dislike for the machine-pressed non-art that the genre has largely turned into, as we enter the third decade of the post-X-Men superhero boom. But, while I have no desire to apologise […]

Hyperbole is a dangerous thing, but even so, Redline is one of the most striking-looking animated movies I have ever seen. The film’s style feels like it should be easier to pin down than  it is; there’s a clear indebtedness to ’60s pop art and  ’90s and ’00s digitally-colored comics in the bold swatches of […]

One thing that nobody can take away from Bacurau, the third feature directed by Brazilian art house favorite Kleber Mendonça Filho (co-directing here alongside his former production designer Juliano Dornelles): it’s unpredictable. The film wear so many hats over the course of its 131 minutes, sometimes wearing them on top of each other, that it’s […]

A review requested by STinG, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! 2008’s Love Exposure is 237 minutes long, and it somehow manages to need every one of them. In […]

The French Connection is the Best Picture Oscar winner from the 1970s that makes me happiest. Not because I think it’s the best of them – it just barely makes the top half of winners that decade for me,* and I’m not even 100% sure I like it best of its nomination class† – but […]

Back when Westerners had only the vaguest idea of what Japanese animation was all about, and the very notion of an animated film that was intended for an adults-only audience was unspeakably radical in and of itself, three movies were primarily responsible for introducing this bold new form of cinema to the world outside of […]

Thankfully, you can’t tell from the onscreen evidence, but Bloodshot was conceived as the first film in  a Valiant Comics shared cinematic universe. Ah, Valiant Comics! Just the name brings me back to the ’90s, when Bloodshot was introduced the world, and the idea of a nanite-infused supersoldier seemed like a cool sci-fi concept and […]

I have nothing but scorn for the full title Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), which I will only henceforth refer to as Birds of Prey in the interest of bringing this review in under 3000 words,* but credit where credit’s due, it’s unquestionably right for the movie it’s attached […]

Did The Rhythm Section deserve to set the grotesque record of having the worst opening weekend at the box office for any film to open in more than 3000 theaters? If we mean “deserve” in the sense of it being the worst film to open in more than 3000 theaters, or the one with the […]