Discovering good movies, one bad movie at a time

In discussing any long-running series that doesn’t exactly swing from pole to pole, qualitywise, one of the trickiest parts in reviewing the individual entries can be figuring out where to start: what specifically makes this film different from all of those films? Happily, then, Witchcraft X: Mistress of the Craft – which premiered in 1998 […]

A review requested by Not Fenimore, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! The 1985 Cannon Films production Lifeforce is two entirely different exploitation films in one. Three, if you […]

The true sign of how little the people who made Witchcraft 7: Judgement Hour cared about it is not that it has the typo “Judgement” right there on the cover of its VHS box. The truest sign is that it does this while also spelling it correctly in the onscreen title, Witchcraft VII: Judgment Hour. […]

When people speak of Amicus Productions, what they’re really speaking of, I think, is the set of films beginning with our present subject, 1971’s The House That Dripped Blood. Between 1962 and 1970, Amicus produced 15 films on a variety of subjects, and only six of them were horror films (a number that already has […]

Amicus Productions was only around a short time, from 1962 to 1977, and it produced a fairly small number of features, 28 in total (one of which it sold off rather than distribute under its own name). Despite this, it has one of the strongest reputations in the history of British genre film production. Of […]

As we all know (and like many of the things we all know, it’s only partially true), Japanese animation got through its “this is just for kids” phase much earlier than the animation industries of every other country. And once it got out of its “this is just for kids” phase, it very quickly arrived […]

It’s easy – very, very easy, I’d say – to look at the current state of comic book movies and feel nothing but cold dislike for the machine-pressed non-art that the genre has largely turned into, as we enter the third decade of the post-X-Men superhero boom. But, while I have no desire to apologise […]

We must now ask ourselves: at what point does a studio become merely a brand name? Let’s not even make it a hypothetical: if we have something called Hammer Film Productions, and it’s all legal and aboveboard and there’s a clear line of ownership justifying that name, but also James and Michael Carreras are both […]

Twice isn’t enough to make a trend, but it’s maybe cause for hope: apparently any animated franchise, no matter how crappy, can reach its third entry and simultaneously hit the “we don’t give a fuck” point, and suddenly become good. In 2012, Madagascar 3: Europe’s Most Wanted succeeded in being the first Madagascar film that […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Spider-Man: Homecoming provides not only the usual popcorn movie supeheroics, but also a healthy dose of adolescent angst. Genre […]

There has historically been a one-to-one relationship in the Underworld films between Kate Beckinsale being onscreen and the films being even a little bit palatable to watch. In the fifth and very probably final entry in the series, Underworld: Blood Wars, we see less of Beckinsale than in any of the others besides the 2009 […]

A review requested by Anna D, with thanks for contributing to the Second Quinquennial Antagony & Ecstasy ACS Fundraiser. Even without the benefit of years’ worth of hindsight, I think it’s fair to assume that history will judge What We Do in the Shadows to be a quintessential, time-stamped example of moviemaking in the mid-2010s. […]