Discovering good movies, one bad movie at a time

I won’t go so far as to say that there’s nothing that can prepare you for Tekkonkinkreet, the 2006 film that, among its many traits, was the first significant Japanese-produced animated feature directed by a non-Japanese person (the man with that honor was Los Angeles-born Michael Arias, who got his start in visual effects and […]

The 2001 animated feature Metropolis, a science fiction parable about robots and class struggle in an incredible Art Deco super-city, has its work cut out for it twice over. First, it’s living in the shadow of that other science fiction parable about robots and class struggle in an incredible Art Deco super-city titled Metropolis, the […]

The 1983 animated feature Barefoot Gen has the bad luck to suffer from being overshadowed from two different directions. First, it’s an adaptation of one of the most important manga of the 1970s, Nakazawa Keiji’s very loosely autobiographical story about a six-year-old boy living in Hiroshima at the time that residents of that city became […]

1999’s Baby Geniuses is complete garbage, shockingly misconceived as a concept, with horribly executed technique that plunges it into the darkest, mildewiest hollow of the Uncanny Valley. So imagine the horrors I have in store for us when I declare – and I mean it with the most utterly tranquil sincerity – that it didn’t […]

It’s easy – very, very easy, I’d say – to look at the current state of comic book movies and feel nothing but cold dislike for the machine-pressed non-art that the genre has largely turned into, as we enter the third decade of the post-X-Men superhero boom. But, while I have no desire to apologise […]

Thankfully, you can’t tell from the onscreen evidence, but Bloodshot was conceived as the first film in  a Valiant Comics shared cinematic universe. Ah, Valiant Comics! Just the name brings me back to the ’90s, when Bloodshot was introduced the world, and the idea of a nanite-infused supersoldier seemed like a cool sci-fi concept and […]

A review requested by Kelleson, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! It took a hell of a lot of birthing pains to get 1989’s Little Nemo (AKA Little Nemo: […]

I have nothing but scorn for the full title Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), which I will only henceforth refer to as Birds of Prey in the interest of bringing this review in under 3000 words,* but credit where credit’s due, it’s unquestionably right for the movie it’s attached […]

The setting for Fast Color is a world a short way into our own future where for unknown reasons it has stopped raining. Two years into this crisis, enough water remains (somehow) that all of civilization hasn’t collapsed, but it has become a precious resource as desirable as gasoline in Mad Max, and culture has […]

A review requested by Yourself, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! One hates to belabor how baffling the 1980 feature film version of Popeye is  as an aesthetic object; […]

There’s one main reason any film gets a sequel: because some producers got a bit of money, and want to get a bit more. And for the great majority of sequels, that’s where it stops, which is why so many of them are such joyless retreads, doing the same thing but bigger and louder (or, […]

I do not, in general, harbor much nostalgia, nor warm feelings of any kind, for the 1990s. But if I did, it would be because it really only was in the 1990s that a film like The Addams Family could come into existence in the form we have it. The film lies at the confluence […]