Discovering good movies, one bad movie at a time

Depending on how you count the intermissions that are baked right into the print – there are five of them, all about 15 minutes in length – La Flor is anywhere from about 13.5 hours long to a bit less than 15 hours long. This is, of course The Big Fact about the film that […]

The stink of having been shot almost three years before it finally saw the light of a commercial release hangs over Underwater like a fart in church. It’s not exactly the film’s fault – part of the delay is because the 20th Century Fox release got tangled up in that company’s acquisition by the Walt […]

When a film comes into the world with the kind of uncommonly bad reputation as The Grudge, 2020 edition – simultaneously a remake of and sequel to the 2004 film of the same name, and the 13th feature film in a multi-national horror franchise with at least three different continuities – the obvious first question […]

Peter Strickland has made his reputation among arthouse genre fans largely on the back of his wild pastiches, with 2012’s Berberian Sound Studio and 2014’s The Duke of Burgundy both drawing extensively from the look and texture of European grindhouse pictures of the ’70s (Italian horror in the former case, French softcore in the latter). […]

A review requested by Andrew, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! Amblin Entertainment is still with us, as we enter the third decade of the 21st Century (dear God, […]

With the new version of Black Christmas, directed and co-written (with April Wolfe) by Sophia Takal, I believe we have crossed an exciting new threshhold: the first classic slasher movie to receive a second remake. The first Black Christmas, from 1974, is one of the most unassailable classics of ’70s horror, beating both The Texas […]

The Shining, the motion picture from 1980, is better than The Shining, the novel from 1977, but I will concede the point that the latter is an awfully good read even so, one of the best books ever written by Stephen King. Meanwhile, Doctor Sleep, the 2013 sequel to the 1977 novel (and pointedly not […]

Countdown makes the deadliest mistake I can imagine a film making: it openly rips off a movie that’s already quite famous with its target audience, and proceeds to to an objectively, obviously worse job of the material the two have in common. In this case, it’s basically just a smartphone update to Final Destination: if […]

Hunting for Freudian symbolism in movies is, I think, almost never a rewarding pursuit, but sometimes you just have to admit when a film slaps you in the face with its enormous engorged cock. And so it is with The Lighthouse, whose titular location is a giant erection of white stone that is routinely framed […]

The rumor goes that director Ruben Fleischer, screenwriters Rhett Reese & Paul Wernick, and stars Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin all mutually agreed that they wanted to make the film that would ultimately emerge as Zombieland: Double Tap almost as soon as Zombieland hit theaters back in 2009. And (the rumor […]

Tigers Are Not Afraid* is an especially miraculous kind of movie, the sort whose influences are so obvious it’s almost boring to talk about them (Vittoria De Sica’s 1946 Shoeshine and Guillermo del Toro’s 2001 The Devil’s Backbone are the most conspicuous ones that come to my mind), and yet the end result doesn’t feel […]

It is entirely possible that no first-time film director of the 21st Century to date was so transparently ecstatic to be making a movie as Rob Zombie was with 2003’s House of 1000 Corpses. It is the work of an unmitigated enthusiast. Much of that enthusiasm is for the entire corpus of horror cinema; it’s […]