Discovering good movies, one bad movie at a time

Every satire of the for-profit art world makes largely the same points about that target, and Velvet Buzzsaw, the third film by writer-director Dan Gilroy, is not looking to break the habit. Oh, sure, it drags in the stuff of a slasher-style horror movie for its second hour, but it’s still basically the same thing […]

The following review spoils the movie, but not any more than the movie’s first ten minutes have already done on their own. Still, tread carefully. A world-wide epidemic of suicides, a monster that manifests as ominous blowing wind – of all the fucking movies to take as a primary influence, why would anybody with a […]

It’s certainly more common knowledge 25 years later than it was at the time of the film’s premiere in October 1993 (when Disney did everything in its power to hide the information), but it still bears mentioning that the film which has been marketed since Day 1 as Tim Burton’s The Nightmare Before Christmas is […]

Given the preposterously degraded state of the demonic possession movie, it doesn’t take much at all for The Possession of Hannah Grace to distinguish itself. And to be fair, it doesn’t do much at all, but it does it right at the start, and in so doing got on my good side so immediately that […]

Categories: exorcising, horror, thrillers

The new film directed by Luca Guadagnino and written by David Kajganich under the title of Suspiria is a remake of the 1977 Dario Argento film also titled Suspiria. It’s official, in the credits and everything, and they share the same plot: an American girl named Susie Bannion (“Suzy” in the original) travels to Germany […]

For a company that has spent 90 years now insistently bathing itself in sweetness and light, there’s always been a certain love of dark, spooky shit driving Walt Disney Productions. In 1929, not even a full year after Mickey Mouse made his incredibly successful debut, Walt Disney and Ub Iwerks oversaw the creation of the […]

We must now ask ourselves: at what point does a studio become merely a brand name? Let’s not even make it a hypothetical: if we have something called Hammer Film Productions, and it’s all legal and aboveboard and there’s a clear line of ownership justifying that name, but also James and Michael Carreras are both […]

To the Devil… a Daughter was one of the biggest hits Hammer Film Productions had enjoyed in years at the time of its 1976 release. Paradoxically, it’s also more or less the film that finally killed Hammer off. The studio hung around in a tattered way for a few years before disappearing: it managed to […]

Hammer Film Productions made its reputation on a series of violent (by the standards of the time) horror movies set in the latter half of the 19th Century. And while only a handful of them took place anywhere in the British Isles, they were all suffused with a certain distinctive Englishness. That would all make […]

The film itself isn’t nearly important enough to earn this, but you could do a lot worse than holding up 1970’s The Horror of Frankenstein as a summary of all the things going terribly wrong with Hammer Film Productions at the dawn of the ’70s. The studio’s reign across the anglosphere as the premiere home […]

There is probably no major franchise with a more gnarled line of continuity than the Halloween slasher movies, which despite the apparent cleanliness of their numbered progression, have no fewer than four different, irreconcilable universes, and that’s without bringing in Rob Zombie’s standalone remakes in the 2000s to muck it up. 1978’s Halloween begat one […]

The Plague of the Zombies certainly isn’t the best horror film made by Hammer Film Productions: the climax features some really dodgy effects work, the sound mix needed another pass, there’s a hellaciously bad day-for-“night” sequence, and frankly only a very young person would have a terribly hard time getting out in front of the […]