Discovering good movies, one bad movie at a time

Tigers Are Not Afraid* is an especially miraculous kind of movie, the sort whose influences are so obvious it’s almost boring to talk about them (Vittoria De Sica’s 1946 Shoeshine and Guillermo del Toro’s 2001 The Devil’s Backbone are the most conspicuous ones that come to my mind), and yet the end result doesn’t feel […]

It is entirely possible that no first-time film director of the 21st Century to date was so transparently ecstatic to be making a movie as Rob Zombie was with 2003’s House of 1000 Corpses. It is the work of an unmitigated enthusiast. Much of that enthusiasm is for the entire corpus of horror cinema; it’s […]

“This means, sadly, that the inevitable It: Chapter 2 will have almost nothing but the shitty parts.” -Me, reviewing It, 725 days ago Call it a self-fufilling prophecy if you need to, but sure enough, It: Chapter Two is pretty much nothing but the shitty parts. It is a little upsetting to find how little […]

Ask a horror fan what draws them to the genre, and you’ll get any number of possible answers. Ask that question of, say, a twelve-year-old horror fan, and I suspect that the range of answers will be at least somewhat narrowed down: and high on that list would be gross corpses with lots of gore […]

A review requested by John Taylor, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! First things first: form dictates that I give this film a star rating, and I want you […]

The killer alligator picture Crawl is maybe the least Alexandre Aja-esque film that Alexandre Aja has directed thus far, which I imagine is even a good thing for some people. The filmmaker’s body of work, to date, has been one of extreme violence and gore, with highlights including the 2003 New French Extremity barnburner High […]

Intermittently this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Crawl, brings back to the big-screen the ancient rivalry between human and alligator. There have been more than a few […]

Intermittently this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. Last week: there are many ways we could plausibly describe Midsommar, one of them being to call it a psychodrama about the […]

There are multiple versions of 1973’s The Wicker Man, but the one that has been easiest to see for most of the film’s existence is 88 minutes long. This might not matter, since you’re not reading a review of The Wicker Man, but here’s the thing: Midsommar is basically The Wicker Man with the serial […]

We are now at the seventh film of the Conjuring Universe, and by this point, the films have established a formula as reliable and unyielding as a religious ceremony. They are not “stories” to be “told”; these movies are enacted. So how in God’s name is it that Annabelle Comes Home works so well – that […]

Remakes of 1980s horror movies have had something like a 0% success rate. If that’s not enough to give somebody pause before green-lighting a remake of the 1988 paranormal slasher movie Child’s Play, there are plenty of other red flags waving themselves. For one thing, the 31-year-old franchise is still going strong: series creator and […]

Ma is the story of Sue Ann Ellington (Octavia Spencer, a fortysomething woman who still lives in the same small town in Ohio where she went to high school. So do several other people, including all of the principle figures in an exceptionally vicious prank by which the shy, introverted Sue Ann was sexually abused […]