Discovering good movies, one bad movie at a time

It is with a distinct tinge of melancholy that I welcome From Beyond the Grave to the pages of Alternate Ending. For with this 1974 release, we arrive at the seventh and final “portmanteau” film released by Amicus Productions, the little British horror studio that was, in ’74, just about to abandon the genre (the […]

Lord knows if “sequel” is right word to describe The Vault of Horror, a 1973 anthology film based on horror stories published in the first half of the 1950s by EC Comics. Not, as it happens, stories published in the pages of The Vault of Horror, one of the company’s three dedicated horror titles. Of […]

Asylum might have the single best hook of any anthology film I have seen. The story opens with Dr. Martin (Robert Powell), a young psychiatrist, arriving at a remote insane asylum for a job interview. The man who runs the place, Dr. Rutherford (Parick McGee), seems like a bit of an asshole, the kind of […]

These days, when the 1967 Stimulantia comes up – something it is powerfully unlikely to ever do – it’s almost certainly in the context of being the one anthology film that Ingmar Bergman contributed a segment to, right in the heart of his international heyday in the 1960s (it nestles in his career during the […]

It is a truth that I think to be self-evident that 1972’s Tales from the Crypt is the best-known and most widely-seen of Amicus Productions’s seven horror anthology films – maybe even their best-known and most widely-seen film, period. How much of this has to do with the fact that it shares a title and […]

When people speak of Amicus Productions, what they’re really speaking of, I think, is the set of films beginning with our present subject, 1971’s The House That Dripped Blood. Between 1962 and 1970, Amicus produced 15 films on a variety of subjects, and only six of them were horror films (a number that already has […]

Among those classic horror fans who are responsible for keeping its memory alive at all, Amicus Productions is first and foremost associated with its series of anthology films (or “portmanteaus”, to use the official company line), so much so that one  might suppose they never made anything else. On the contrary, the studio was awfully […]

Amicus Productions was only around a short time, from 1962 to 1977, and it produced a fairly small number of features, 28 in total (one of which it sold off rather than distribute under its own name). Despite this, it has one of the strongest reputations in the history of British genre film production. Of […]

I will begin by saying that I have seen the film we are about to dig into with three different arrangements of capital letters: Bedevil, BeDevil, and beDevil. I have decided to favor the third, partly because it’s how the title is rendered onscreen, partially because that’s how a couple of art museums refer to […]

By the time Ingmar Bergman directed Waiting Women, released in the autumn of 1952, it had been almost two years since he’d made a movie. I don’t want to go all the way as far saying “and you can tell”, because there are ample strengths here. But there’s also a bit of stiffness in the […]

Depending on how you count the intermissions that are baked right into the print – there are five of them, all about 15 minutes in length – La Flor is anywhere from about 13.5 hours long to a bit less than 15 hours long. This is, of course The Big Fact about the film that […]

Want another opinion? Check out Conrado’s thoughts on the film! Joel and Ethan Coen have, in their long career as the most interesting and probably best American-born filmmakers alive, dabbled in damn near every genre that a filmmakers in the last 30 years could possibly get away with dabbling in, but in some way it […]