Discovering good movies, one bad movie at a time

It is very often the case that film directors are terrible judges of their own art, both qualitatively (was this good or bad?) and descriptively (why does this work the way it does?). Not so with Ingmar Bergman. Almost without exception, when he said that one of his films was bad, it was bad, and […]

Since erupting into the world with the exquisite Oscar-nominated 2000 short Rejected, animator/director Don Hertzfeldt literally hasn’t made anything that isn’t at least great, and in that time span he has produced multiple candidates for the title of the most important, medium-redefining piece of animation made by an American in the 21st Century. But the […]

None Direction A review by Brennan Klein I have a serious problem. The more terrible an idea for a movie is, the more I absolutely, postiveily have to see it right fucking now. This is how I ended up renting 2019’s After, a film adapted from a book series that originated as a Harry Styles […]

The soullessly glossy new version of Rebecca, paid for and distributed by the soulless gloss specialists at Netflix, lives in the shadows of ghosts. There is the ghost of Daphne Du Maurier’s beloved 1938 novel, one of the pinnacles of inter-war Gothic fiction, still a widely-read classic. And there is the ghost of the 1940 […]

One thing that Love and Monsters cannot be accused of is a superfluity of original ideas. The film, written by Brian Duffield (of the bald-faced Alien knock-off Underwater) and Matthew Robinson (of the bald-faced everything knock-off Monster Trucks), is something of a grab bag of sci-fi and post-apocalypse narratives of every sort, especially where those three […]

No reviewer of the 1958 MGM musical Gigi will ever come up with a better lede paragraph than the one Bosley Crowther wrote for his review in The New York Times, in which he affects modest shock at the astonishing list of coincidences between the film and a recent Broadway, before drily ending with the […]

Palm Springs, in one single creative choice, becomes both an extremely fresh and an extremely limited variation on the time loop scenario: it is the first one of these things that I can name that assumes that we all know what “time loop scenario” means (if you don’t, it means “Groundhog Day knock-off”). This means […]

A review requested by Mandy, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! Before watching it, I knew about 2013’s Fateful Findings, the breakthrough for writer/director/producer* Neil Breen, only that it […]

Let us start by making an important distinction: the title of Ingmar Bergman’s first feature from 1955 might be generally given in English as Dreams, but the Swedish title Kvinnodröm more literally translates to “Women’s dreams”. And this is, after a fashion, what the film presents: a pair of women hoping for more than they’re […]

The first half of the 1950s was the most troubled time in Ingmar Bergman’s entire career, business-wise if not artistically, and things bottomed out in 1953. This was when Sawdust and Tinsel released, and became the first unmitigated disaster of his career: resoundingly rejected by audiences and treated coldly by critics (that it was his […]

I will begin by confessing that I don’t entirely know how to suss out the parentage of Eva, a 1948 Swedish drama. The credits declare that the scenario is by director Gustaf Molander, while the script was written by Ingmar Bergman, and unless the word “scenario” means literally the exact opposite in the Swedish film […]

There is, I think, an excellent possibility that there is not a worse film with better cinematography than Cool as Ice, the 1991 film where Janusz Kamiński was given more or less an entire free hand to do literally whatever he wanted. And oh my word, did he ever run with that. View it as […]