Discovering good movies, one bad movie at a time

Truth in advertising: The Dark and the Wicked is basically nothing else beyond the two adjectives promised by its title. The fourth film directed by Bryan Bertino (whose failure to generate a high-profile career after his 2008 debut The Strangers remains a bizarre mystery to me) is the latest entry in the blossoming genre of […]

The filmmaking duo of Aaron Moorhead & Justin Benson has hit upon a very reliable schema – I will not call it a formula, because it’s not really the same thing every time. But in every one of their films, we see a quiet story about the relationship between two people filtered through a mash-up […]

A finalist from the first round of voting in the poll to select what 2020 indie film I should watch and review next. Vote in that and the other polls if you want to control my, and the website’s fate I would like to start by pushing back against the idea that The Assistant, the […]

For more (that’s more positive) about Scare Me, check out Rob & Carrie’s interview with writer-director-star Josh Ruben! It is inordinately easy to root for Scare Me (one of two films by that title with extremely similar loglines released in 2020; this is the one picked up by the streaming service Shudder as an exclusive). […]

The clear winner of the first round of voting in the poll to select what 2020 arthouse film I should watch and review next. Vote in that and the other polls if you want to control my, and the website’s fate Kelly Reichardt has never felt like a director who was forcing her career to […]

One should be careful in going overboard with praise for director Stuart Gordon, who was a fallible mortal like the rest of us – I have seen both Robot Jox and Fortress, I am well aware that the man could fuck up. But still, listen to this fun fact and tell me the man wasn’t […]

It’s been a while since we’ve had a good “apartment-renting life is a noxious hole of atomisation and urban ennui” thriller, and 1BR , the first feature written and directed by David Marmor, does a fine job of filling that gap. The film has excellent bones: it’s a story about a young woman Sarah (Nicole […]

To claim that Re-Animator, a faultless hybrid of no-holds-barred splatterpunk horror and pitch-black comedy from 1985, is the best movie ever drawn from the writing of H.P. Lovecraft is to merely claim the offensively obvious. It doesn’t take very much at all to be one of the best Lovecraft adaptations (he’s a good candidate for […]

A review requested by Mandy, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! Before watching it, I knew about 2013’s Fateful Findings, the breakthrough for writer/director/producer* Neil Breen, only that it […]

By 2001, Joel & Ethan Coen had already written and directed a free adaptation of Dashiell Hammett in the form of 1990’s Miller’s Crossing, and a riff on Raymond Chandler in the form of 1998’s The Big Lebowski. So of course they’d have to do their version of a James M. Cain story, to wrap up […]

Joel & Ethan Coen have made a career-long habit of never repeating themselves two films in a row – maybe to keep themselves entertained, or looking to keep themselves from being pigeonholed, I don’t know. Even so, there’s nothing in their career that compares to how hard they switched things up after the great success […]

Author’s note: I’m going to be treating this like you already know the story, and after a quarter of a century, you really ought to. Still, probably best to hold off on reading this if you haven’t seen the film – and also, I strongly urge you to see the film. There are so many […]