Discovering good movies, one bad movie at a time

I hope I will not devalue Lake Mungo if I describe it as a film that feels absolutely perfect for 2008. That suggests, I am afraid, that it has very little to offer for those of us living later than 2008, and this is not at all the case. But I think the film would […]

One is practically required by law to start any review of the 1999 version of The Haunting by negatively comparing it to the 1963 version of The Haunting, and how dare I do otherwise. The Haunting ’63 is one of horror’s all-time highest water marks, an immaculate piece of visual storytelling on top of being […]

I will begin by saying that I have seen the film we are about to dig into with three different arrangements of capital letters: Bedevil, BeDevil, and beDevil. I have decided to favor the third, partly because it’s how the title is rendered onscreen, partially because that’s how a couple of art museums refer to […]

One of the first things to happen in The Turning is that Kurt Cobain dies.* This has nothing to do with anything that follows: Cobain never becomes a plot point, and there’s no Nirvana on the soundtrack (though there is some Courtney Love). But it does let us know, right away, that this story takes […]

When a film comes into the world with the kind of uncommonly bad reputation as The Grudge, 2020 edition – simultaneously a remake of and sequel to the 2004 film of the same name, and the 13th feature film in a multi-national horror franchise with at least three different continuities – the obvious first question […]

Ask a horror fan what draws them to the genre, and you’ll get any number of possible answers. Ask that question of, say, a twelve-year-old horror fan, and I suspect that the range of answers will be at least somewhat narrowed down: and high on that list would be gross corpses with lots of gore […]

We are now at the seventh film of the Conjuring Universe, and by this point, the films have established a formula as reliable and unyielding as a religious ceremony. They are not “stories” to be “told”; these movies are enacted. So how in God’s name is it that Annabelle Comes Home works so well – that […]

I think it’s telling that The Curse of La Llorona takes place in the Conjuring Universe, which is right now the second-strongest brand-name in cinematic horror after Jordan Peele, and the advertising campaign put not one molecule of energy into promoting that fact. It’s not, like, a secret. There’s no astonishing duhn-duhn-duhhnnn! twist where we […]

“The blood of Christ.” “Holy shit!” “The holiest.” -An actual exchange of dialogue written by an actual professional screenwriter for an actual movie Rigorous honesty compels me to admit that the new horror picture The Nun is not actively good, and may in fact even be bad. At least, it has terrible dialogue and hugely […]

First, the bad news: Hereditary isn’t by any means as all-time “scary” as the hype would have it (with the proviso, as usual, that one person’s “scary” is another person’s “silly” is another person’s “boring” and so on). What it is, and it’s almost as good, is distressing – a film that so persistently depicts […]

A review requested by Yourself, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! How to go about discussing the 1964 Kwaidan? It’s historically important as the first Japanese horror movie to […]

The elephant in the room first: a schlocky haunted house movie with Helen Mirren is peculiar; a schlocky haunted house movie with Helen Mirren and Jason Clarke is so peculiar that it goes back around to promising. Because maybe one of them just made a bad choice for a paycheck, but both of them, simultaneously? […]