2013’s The Croods is a pretty comfortably average effort from DreamWorks Animation, with the rather serious caveat that DreamWorks’ average is low enough that this is neither an impressive nor a promising bar to clear. So the existence of a seven-years-later sequel is certainly not the kind of thing that fills a body with optimism, […]
The 2016 film Trolls isn’t flawless by any means, but it is, nonetheless, one of crucial films in the late development of DreamWorks Animation. It was the first film the studio released after a major restructuring took place that fundamentally changed its financial strategy, and while Trolls was itself largely a product of the previous […]
Nothing about Abominable is even mildly surprising (unless it’s that an English-language movie made by American creators and mostly at an American animation studio should be set in China and have a female protagonist, and neither of these facts are even briefly commented upon), which is kind of a great thing. It doesn’t feel like […]
Nine years ago, How to Train Your Dragon became the first film to demonstrate that DreamWorks Animation could be more than The House That Shrek Built; the first film to eschew the lazy pop culture references, music cues and shticky jokes based on celebrity personae and just go out and make a rich-looking, emotionally resonant […]
Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: there are ants in Ant-Man and the Wasp. There are ants in other things also, but only rarely as […]
If we weren’t through the rabbit hole before, we sure as hell are now: DreamWorks Animation has made a film that is literally about potty humor, sixteen years after their Shrek normalised fart jokes in animated features, and about how people who don’t like potty humor are joyless assholes, and it is the sweetest, nicest, […]
If you had asked me ten years ago, when Shrek the Third was farting its way through theaters, which major American animation studio I expected to be pushing the medium forward the most in 2017, between Pixar, Disney, or the Shrekmeisters at DreamWorks, I would have frankly looked at you like you’d just grown two […]
The notorious dance party ending is a plague upon all animated films, but it is perhaps a particularly important element in the films of DreamWorks Animation; it was that studio’s 2001 Shrek that did more than probably any other individual title to cement the trope into place, and they’ve relied on it extensively in the […]
Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: thirteen years later, Finding Nemo finally gets a sequel in Finding Dory. In contrast, it took less than sixteen […]
Now that we’ve hit film #3, and given that the worldwide box office take so far makes it seem somewhat unlikely that film #4 is in the offing, we are able to speak of the “Kung Fu Panda Trilogy”. And as far as I’m concerned, we are able to speak of it in especially fond […]
All things being equal, I am pleased that Home didn’t turn out to be the movie to kill off DreamWorks Animation. I’d have been even more pleased if Home could have managed that feat while not sucking, but then, there had to be a reason why DreamWorks ended up on a cliff’s edge in the […]
As the Hollywood Century takes us into the 21st Century and thus near to the present day, I shall find myself increasingly hard-pressed to do much good situating the films I’m discussing in any kind of historical context: we’re still in that historical context, for the most part, and it will take a few more […]
