Discovering good movies, one bad movie at a time

It’s missing the point, I know, but the question I feel compelled to start with is: did we need a revisionist version of Sir Gawain and the Green Knight? The 14th Century Middle English poem is a timeless favorite of medieval literature buffs, but how many of us can there possibly be? Certainly not enough […]

Intermittently throughout the summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to a major new release. This week: David Lowery and A24 have brought us a moody art-film version of most beloved of 14th Century romances in the form […]

Intermittently throughout the summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to a major new release. This week: David Lowery and A24 have brought us a moody art-film version of most beloved of 14th Century romances in the form […]

“Lunatic visionary cult director Sono Sion makes his English-language debut with a post-apocalyptic samurai Western starring Nicolas Cage” is a collection of words that feels like it was lab-created to end up with a kind of heavily self-aware “Weird”-in-square-quotes example of something too knowing and calculated in its what-the-fuck wildness to be authentic. And arguably, […]

I do not like to start reviews with the most obvious possible statement that hundreds of people before me have already pointed out, but sometimes it doesn’t pay to be clever. And so: the 2000 ancient world epic Gladiator is quite clearly what you get when 1995’s Braveheart and 1998’s Saving Private Ryan have a […]

Back when Westerners had only the vaguest idea of what Japanese animation was all about, and the very notion of an animated film that was intended for an adults-only audience was unspeakably radical in and of itself, three movies were primarily responsible for introducing this bold new form of cinema to the world outside of […]

A review requested by Kevin, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! It is entirely possible that Hero is the single most beautiful film of the 2000s. I’m not making […]

Intermittently this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: in Fast & Furious Presents: Hobbs & Shaw, Dwayne Johnson plays a character who was introduced as a villain in […]

The newest film titled simply Robin Hood – this one starring Taron Egerton as England’s favorite socialist thief – is dumb. Fucking dumb, one might even say; dumb as balls. But there’s an alchemical quality to its utter, hapless stupidity, one borne of its absolute commitment to the most insane shit. It is a terrible […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. Last week: director Guy Ritchie’s King Arthur: Legend of the Sword reminds us of the wide range of approaches that filmmakers […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: director Guy Ritchie’s King Arthur: Legend of the Sword reminds us of the wide range of approaches that filmmakers […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: director Guy Ritchie’s King Arthur: Legend of the Sword reminds us of the wide range of approaches that filmmakers […]