The Gray Man may very well be the end of an era. Over the last half a decade, Netflix has attempted to move into the blockbuster space, making hyper-expensive streaming projects to rival Hollywood’s theatrical output, initially staking their claim with the putrid, runny dribble of offal known as 2017’s Bright. They have continued to […]
There are things in Thor: Love and Thunder – the fourth movie to exclusively focus on the Marvel Comics version of the Norse god Thor, played by Chris Hemsworth, who thus becomes the first individual character to headline a tetralogy in the Marvel Cinematic Universe – that are pretty damn good. And conversely, there are […]
There have undoubtedly been sequels that more thoroughly squandered the glories of a strong original than 1972’s Dr. Phibes Rises Again, though very few that I find more personally irritating. The Abominable Dr. Phibes, from 1971, is a film I greatly cherish, a singular blend of Gothic horror, camp, viciously outré death scenes, dreamily surreal […]
Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Baz Luhrmann directs his first feature in nine years, Elvis. Elvis being Elvis, this isn’t even the first film […]
Lightyear, the 26th feature film produced by Pixar Animation studios and easily the worst one that has no talking cars in it, opens with two title cards relaying the following information: “In 1995, a boy named Andy got a Buzz Lightyear toy for his birthday. It was from his favorite movie. This is that movie.” […]
Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. Last week: David Cronenberg, in his years as an elder statesman of cinema, has taken the new Crimes of the Future […]
First, the positivity: the direct-to-Disney+ film Chip ‘n Dale: Rescue Rangers, a sort of update-reboot-remake of the 1989 cartoon TV show of the same name, is so much better than I expected it to be. It’s still bad in many ways and good in virtually none, but the standard of comparison here is 2021’s Space […]
Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: we are far enough into the present wave of Stephen King adaptations that we’ve hit the “all the famous […]
Nine years and two months separated the releases 2013’s Oz the Great and Powerful and 2022’s Doctor Strange in the Multiverse of Madness, both directed by Sam Raimi. He made no other features between them (though he did some television work, and produced quite a bit), making this by far the longest break between projects […]
A review requested by Kevin, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! In later years, Film Twitter has (in its Film Twitter way) decided that M. Night Shyamalan’s 2004 feature […]
There is something indescribably soothing about the existence of Sonic the Hedgehog 2 in its current form. And that starts right with the fact that it’s been titled Sonic the Hedgehog 2, and not, like, Sonic the Hedgehog: Knuckle Down or Sonic the Hedgehog: Tails I Win, or Sonic the Hedgehog: In the Shadow of […]
Even by the highly dubious standards of Oscarbait biopics whose commercial and awards campaign both hang insistently on one single performance and literally nothing else whatsoever about the film, The Eyes of Tammy Faye is a pretty cruddy movie. Adapted from a 2000 documentary of the same title by screenwriter Abe Sylvia and director Michael […]
