There are things in Thor: Love and Thunder – the fourth movie to exclusively focus on the Marvel Comics version of the Norse god Thor, played by Chris Hemsworth, who thus becomes the first individual character to headline a tetralogy in the Marvel Cinematic Universe – that are pretty damn good. And conversely, there are […]
There have undoubtedly been sequels that more thoroughly squandered the glories of a strong original than 1972’s Dr. Phibes Rises Again, though very few that I find more personally irritating. The Abominable Dr. Phibes, from 1971, is a film I greatly cherish, a singular blend of Gothic horror, camp, viciously outré death scenes, dreamily surreal […]
Five films into a series that hasn’t really shown any signs of losing its audience is an odd time to decide to course-correct for quality; even less so when the series is the signature franchise of Illumination, an animation studio that has never yet indicated that it feels terribly worried about quality in any meaningful […]
I don’t know what was going on in 2018, but the odds of this happening twice seems too high for it to be pure coincidence: a long-running slasher film franchise that had gotten snarled on insoluble convoluted and self-contradicting inter-film continuity rebooted itself by tossing out everything that had created that snarl, making a new […]
Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: infamously, Lightyear is a film based on a different film that never existed but inspired a toy that was […]
Lightyear, the 26th feature film produced by Pixar Animation studios and easily the worst one that has no talking cars in it, opens with two title cards relaying the following information: “In 1995, a boy named Andy got a Buzz Lightyear toy for his birthday. It was from his favorite movie. This is that movie.” […]
Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Jurassic World Dominion continues its franchise’s burning question of what happens in a version of the modern world where […]
Frank Henenlotter deserves at least this much credit: he has not lied about what went on in the creation of Basket Case 3: The Progeny, and he does not pretend that it turned out perfectly well. Basically, 1990’s Basket Case 2 went so well that he and everybody else wanted to get a jump on […]
Crimes of the Future, the second film of that title directed by David Cronenberg, is two contradictory things at one and the same time. On the one hand, it’s the director’s return to fleshy grotesques, more than two decades after he abandoned his characteristic mode of body horror (a term he does not use) for […]
More than one filmmaker has burst onto the scene with one really good horror movie and built a career out of insubstantial remakes of that one movie. So for that alone, one must extend no small amount of credit to Frank Hennenlotter, whose 1982 debut feature Basket Case was rather more than just “one really […]
Studio 4°C doesn’t have the same name recognition of the best-known and best-loved Japanese animation studios in the West, which I imagine is at least in part because its best and boldest work is at this point well over a decade in the past. But it have some irresistibly interesting credits to their name, with […]
“If you like watching naked people have sex, it’s incredibly hot.” –-Sharon (Noël VanBrocklin), a character in Witchcraft XVI: Hollywood Coven, reviewing Witchcraft XI: Sisters in Blood, and by extension, every other Witchcraft picture As I write these words, Witchcraft XVI: Hollywood Coven is the last of the direct-to-video Witchcraft movies, and there’s a clear […]
