Discovering good movies, one bad movie at a time

In truth, it doesn’t matter to me that it’s a Romanian film (I tend to love Romanian films), a dark comedy (most of my favorite Romanian films are dark comedies), a story about totalitarian politics (my favorite Romanian dark comedy, 12:08 East of Bucharest, is about the nation’s history of totalitarianism), or as the cherry […]

We have, in Dolemite Is My Name, such a perfect object lesson in what actually matters about movies that it almost feels unfair. This is a competent film – magnificently competent. Screenwriters Scott Alexander & Larry Karaszewski know exactly how to write this material (in fact, this is basically the fourth time they’ve written precisely […]

The 2019 Cannes Film Festival was a real punch in the gut: two of world cinema’s most irrepressible eternal adolescents both suddenly grew up all the way to make Old Man movies. Going by their U.S. release dates, we already had Quentin Tarantino show us his autumnal side with Once Upon a Time …in Hollywood; […]

For some years now, director Quentin Tarantino has been maintaining that his tenth feature will also be his last. While I don’t actually believe that (artists retire when they die, no earlier), I suddenly find myself deeply hoping that he doesn’t believe it either. Or maybe that when he says that it will be “his” […]

Intermittently this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. Last week: there are many ways we could plausibly describe Midsommar, one of them being to call it a psychodrama about the […]

I take it as self-evident that to love cinema is to love Stan Laurel & Oliver Hardy, the comedy duo paired under the guidance of producer Hal Roach in the silent era and who made several wonderful short films before transitioning to sound and making several even more wonderful shorts and features in the 1930s. […]

The very fine backstage melodrama What Price Hollywood? was released in 1932, and for all but the first five years of its life, it has been best known as being the unofficial-but-very-obvious basis for a different movie and its subsequent remakes. This is a goddamned shame, though it’s not terribly difficult to see what happened. […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Muppets fuck in The Happytime Murders. Because humanity has fallen from God’s light, it’s no surprise that this is […]

By all means, Teen Titans Go! To the Movies is a goofy and dumb kids’ movie. But there’s goofy and dumb, and then there’s Goofy and Dumb, and there’s something positively dazzling about how much inspiration screenwriters Aaron Horvath (who co-directs with Peter Rida Michail) & Michael Jelenic – also the creators of Teen Titans […]

A review requested by Not Fenimore, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! Of Mel Brooks’s first four feature-length comedies, which are also his four best, 1974’s Blazing Saddles is […]

Whatever else we can say about it, 24 Frames sure as hell is different. The final film by the late master director Abbas Kiarostami (it premiered a little under a year after his death) would already have my affection just for being such a swerve, albeit a totally in-character swerve. After briefly leaving Iran to […]

I’m not sure that I have such a thing as a list of the filmmakers that I’d be interested in seeing make a biopic of legendary critic, filmmaker, political agitator, and cantankerous asshole Jean-Luc Godard. But I am 100% certain that Michel Hazanavicius would be nowhere remotely near that list if it existed. The one […]