The 1940 feature-length animated adaptation of Pinocchio is one of the crown jewels of American cinema. It is perhaps the most lustrous, richly-colored and -textured of all hand-drawn and hand-painted animated films, as much an example of fine art given the illusion of life through 24 frames-per-second movement as it is just another cartoon – […]
Psycho II being an actually good movie was about as unlikely a miracle as any I have ever encountered in all the annals of unnecessary sequels. To expect that kind of miracle to happen twice in a row would be far, far, far too much to hope for, and indeed, Psycho III – which I […]
For those of you just joining us, the story of the After franchise is a long and winding road, getting longer and windier by the minute. This project started its life as an AU (alternate universe) fan fiction by Anna Todd asking the penetrating question of “What if Harry Styles was a sexy, dangerous college student who […]
If you had asked me at the start of 2022 if I thought that 2009’s Orphan had lived on as a classic of modern horror, I’d have looked sort of through you for an awkward moment in a confused, glassy-eyed way before tentatively replying “the J.A. Bayona film?” And we’d have had a beat before […]
A review requested by Brian, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! The costume drama is a genre as old as the movies themselves (The Execution of Mary, Queen of […]
To wrap up the summer movie season, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to a wide-release film from the last few weeks. From August 5: Bullet Train takes place in the highly tense environment of a metal tube […]
There probably aren’t more than a half-dozen movies in the history of American cinema more sacrosanct than Alfred Hitchcock’s Psycho from 1960, a film standing proudly alone as such a defining achievement in cinema that the mere notion of ever trying to cash in on it in any way is genuinely immoral. Which hasn’t stood […]
It’s in the nature of adolescence to rebel—against your parents, against your background, against anything that defines you in a way that doesn’t match your evolving self-image. Every coming-of-age story sees its protagonist reject the status quo and seek out something unfamiliar and/or expressly forbidden. Some go further than others, though, and Funny Pages—the directorial debut […]
George Miller’s directorial career, which only now arrives at Feature Film #10, 43 years after his debut, consists basically of only weird movies and very weird movies, which should make me pause before saying that Three Thousand Years of Longing is the weirdest, and yet here we are. This is, effectively, his “one for me” […]
