Discovering good movies, one bad movie at a time

The Vast of Night, Andrew Patterson’s first feature as a director and one of the most transparent “look what I can do! Hire me for a Star Wars!” efforts to get this high-profile of a release in ages, is like an episode of The Twilight Zone. In case you miss this (which you would not […]

There are so god-damned many film and television incarnations of Sherlock Holmes, Arthur Conan Doyle’s iconic misanthropic detective, it would be ludicrous to make a definitive claim about any of them being the best or worst, the most or least faithful, or just about anything else. But I will nudge far enough into this dangerous […]

For what would prove to be the final film of his self-imposed exile in West Germany, Ingmar Bergman wanted to finally honor the cinema of his host country, rather than keep making quasi-Swedish chamber dramas as if nothing had changed but the address of his studio. And indeed, that is very much what he ended […]

Sometimes, consensus has it so spot-on that it’s downright gratifying to agree with what everybody else has already said on the matter. To wit: yes indeed, 1977’s The Serpent’s Egg is the worst movie Ingmar Bergman ever directed, finally toppling his 1950 make-work misfire This Can’t Happen Here from its 27-year reign of terror, if […]

1974 is awfully damn late to be indulging in William Castle-style carnival barker tactics to sell a movie – that belongs to an age of cheesy B-movies, not an age of grim, violent grind house fodder. But that is, nonetheless, exactly what The Beast Must Die gets up to, over the vehement objections of its […]

The filmmaking duo of Aaron Moorhead & Justin Benson has hit upon a very reliable schema – I will not call it a formula, because it’s not really the same thing every time. But in every one of their films, we see a quiet story about the relationship between two people filtered through a mash-up […]

The soullessly glossy new version of Rebecca, paid for and distributed by the soulless gloss specialists at Netflix, lives in the shadows of ghosts. There is the ghost of Daphne Du Maurier’s beloved 1938 novel, one of the pinnacles of inter-war Gothic fiction, still a widely-read classic. And there is the ghost of the 1940 […]

When people speak of Amicus Productions, what they’re really speaking of, I think, is the set of films beginning with our present subject, 1971’s The House That Dripped Blood. Between 1962 and 1970, Amicus produced 15 films on a variety of subjects, and only six of them were horror films (a number that already has […]

I would never have thought of this on my own, but now that I’ve been put in mind of it, it makes perfect sense that American International Pictures and Amicus Productions would team up together. You could never say that they occupy the same spot in their respective ecosystems, because the Hollywood and British film […]

The Deadly Bees, from 1966, isn’t really a very good movie – it’s fine. It’s got some largely good and charming moments, some dumb moments, and some aggressively bad effects. But it has a longstanding reputation for being terrible beyond words, which comes I think from two different things. First, credited screenwriter Robert Bloch had […]

From 1961 through around 1968-ish, if you were a commercial movie studio and you had literally any presence in the horror/thriller markets, at some point you were going to make your own version of Psycho. There’s simply nothing else to it: Alfred Hitchcock’s grimy little quickie about murder, sexual psychosis, and fucking around with the […]

A review requested by Brennan, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! If I were to tell you the plot of Even the Wind Is Afraid – even if I […]