Discovering good movies, one bad movie at a time

In the annals of the great director/screenwriter collaborations, I don’t know that Carol Reed and novelist Graham Greene get as much credit as they deserve; I don’t know that they could get as much credit as they deserve. They worked together only three times, but the second of those resulted in one of the highest […]

A review requested by STinG, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! 2008’s Love Exposure is 237 minutes long, and it somehow manages to need every one of them. In […]

I think it is worth being fair to screenwriters David Desola and Pedro Rivero: I’m sure the genesis of The Platform was at least a little bit more sophisticated than, “what if Snowpiercer was, like, vertical?” But wherever the idea ultimately came from, the comparison is there to be made, and reductive as it is, […]

Above and beyond everything else, The Other is an exceptionally smart film. Not intelligent; smart. It does a superb job of manipulating and guiding its viewer, not just through Thomas Tryon’s script (adapted from his own novel), but through the way it keeps dodging the stylistic norms of its genre. To look at the script, […]

The most interesting thing I could come up with for The Last Thing He Wanted, a movie whose main thing is that it’s not interesting in any way, is that I’m pretty sure Anne Hathaway isn’t wearing any make-up for most of it. Or at least, she’s wearing make-up that’s designed to make her look […]

As is generally true of movies that kick up Controversy In The Discourse, The Hunt is not in the remotest way worthy of that much attention, so I’m not even going to bother recapping all of that. Instead, let’s just dive into the movie itself. Only let us dive very carefully, for it is extremely […]

It’s early yet, but I wouldn’t be even a little bit surprised if The Lodge ends up being the most frustrating film I see in 2020. The film starts off amazingly well, with some unexpected and slithery character work, handing off the storytelling perspective from one character to another with absolutely no finesse, but so […]

The new version of The Invisible Man – produced by Blumhouse for Universal Pictures, which isn’t really re-adapting H.G. Wells’s 1897 novel nor re-making its own 1933 picture, but relying on brand recognition for a brand-new thing, and would that all brand recognition was handled with this much care and thoughtfulness – is rather damn […]

Did The Rhythm Section deserve to set the grotesque record of having the worst opening weekend at the box office for any film to open in more than 3000 theaters? If we mean “deserve” in the sense of it being the worst film to open in more than 3000 theaters, or the one with the […]

Depending on how you count the intermissions that are baked right into the print – there are five of them, all about 15 minutes in length – La Flor is anywhere from about 13.5 hours long to a bit less than 15 hours long. This is, of course The Big Fact about the film that […]

The stink of having been shot almost three years before it finally saw the light of a commercial release hangs over Underwater like a fart in church. It’s not exactly the film’s fault – part of the delay is because the 20th Century Fox release got tangled up in that company’s acquisition by the Walt […]

The knowledge that the second feature by Nicolas Pesce, who directed The Eyes of My Mother, is an adaptation of a novel by Murakami Ryu, who wrote Audition, should be enough to give absolutely even the most stalwart among us pause for a moment. For those are two monumentally fucked-up, bleak stories about the depths […]