Discovering good movies, one bad movie at a time

Given the way I’m framing this summer’s marathon of horror movies, it’s hard to resist the temptation to speculate about the “Australianness” of these films, how their peculiarities reveal something about the cultural character of that continent and its film production. The fact that I don’t really know all that much about Australian culture puts […]

Barbara Stanwyck – the most sarcastic, mercilessly incisive leading lady of her generation, a biting sophisticate in the body of a tough dame. Samuel Fuller – the great journalist-director whose films have the precision and authenticity of a no-bullshit reporter, with the sensationalism of a man who knows the best way to get people to […]

One thing that nobody can take away from Bacurau, the third feature directed by Brazilian art house favorite Kleber Mendonça Filho (co-directing here alongside his former production designer Juliano Dornelles): it’s unpredictable. The film wear so many hats over the course of its 131 minutes, sometimes wearing them on top of each other, that it’s […]

The oldest film of which I am personally aware that features the scripted antics of a stunt dog is the Edison Manufacturing Company’s The Whole Dam Family and the Dam Dog, which came out in 1905. So, like, they’ve had a while to figure this out. And I think I am not making a controversial […]

A review requested by Not Fenimore, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! So here we are, face-to-face with the all-time worst winner of the Academy Award for Best Picture. […]

Any film as enervating as The Nightingale must be doing something right: it is one of the most upsetting, unpleasant, grueling films I have watched all year, and this is not something that happens without effort. If you consider (as I do) that the first mission of art is to trigger an emotional response in […]

Of all the characters who could get the “let’s check in on our old friends from years ago and see what they’re up to” sequel treatment, I would not have supposed that people who we last see dying in a stand-off with the cops would be good candidates. But underappreciated horror auteur Rob Zombie doesn’t […]

The Sisters Brothers is first and foremost just a damn solid Western. This isn’t really surprising: director Jacques Audiard (making his eighth feature film and his first in English) has largely made it his business to make damn solid movies in traditional genres, and it’s increasingly looking like A Prophet, which was more like an […]

Want another opinion? Check out Conrado’s thoughts on the film! Joel and Ethan Coen have, in their long career as the most interesting and probably best American-born filmmakers alive, dabbled in damn near every genre that a filmmakers in the last 30 years could possibly get away with dabbling in, but in some way it […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Alpha demonstrates the time that humans first turned wolves into dogs. This relationship has been commemorated in countless artworks; […]

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: Alpha dramatises the time that humans first turned wolves into dogs. The subsequent relationship between species has been commemorated […]

I’m not sure if Jack London’s 1906 novel White Fang has remained more of a cultural touchstone in Europe than in its home country. I do know that the marketing push for the new Franco-Luxembourgian animated adaptation of the book seems to think that it’s a major cultural touchstone, but who’s to say. Regardless, one […]