Discovering good movies, one bad movie at a time

In addition to their classier, better-known status as the most mature decade in the history of mainstream American cinema, the 1970s could also be rightfully called the Decade of the Rip-Off; not since the onset of World War II taught the world a healthy sense of shame had such a robust culture of knock-offs and […]

Technically, 1985’s Red Sonja, one of the key films in the disintegration of the sword & sorcery genre, is not at all a Conan the Barbarian film. And technically, it isn’t based on the writing of Robert E. Howard, Conan’s creator. The character of Red Sonja in fact made her debut in 1973, in the […]

Two important facts: one is that Conan the Barbarian made a whole lot of money in 1982, and kicked off a new subgenre, the sword & sorcery film, that was for a few years the genre film of choice in English-speaking parts; the other is that Conan the Barbarian was produced under the aegis of […]

Every Sunday this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. This week: the remake of Conan the Barbarian introduces a new generation to the pop hero of Weird Tales, one of […]

And now we come to an important moment indeed in the development of Michael Mann’s directorial personality: his first experiment with film vocabulary. In this latter part of his career, he’s become famous – infamous, in some circles – for being an arch-stylist, which is a simpler way of saying that he likes to bend […]

Now here’s something surprising: after Halloween II, producer John Carpenter wanted to take his franchise away from the implacable killer Michael Myers (who was, at any rate, dead), and try something with little precedent in cinema history. Going forward, every new Halloween film would be a stand-alone horror story set on October 31, and so […]

For this summer’s slasher festivities, I selected the Halloween and Texas Chainsaw Massacre franchises for the most pragmatic of reasons: I’d already done Friday the 13th and A Nightmare on Elm Street, and I simply picked the next two biggest names in the subgenre. But as I reach Halloween II, I’m stunned by how many […]

The Silence of the Lambs, released exactly sixteen years ago today, is almost certainly the finest American film about serial killers, because it’s not “about” serial killers. It’s about Clarice Starling, FBI trainee, and how she stared evil in the face in order to stop another evil. It’s somewhere between a fable and a character […]