The 1984 adaptation of Frank Herbert’s 1965 science fiction novel Dune offers one of the most interesting of all wrinkles to auteur theory, as it is generally understood. The film was the third feature directed by David Lynch, and the last before he became “David Lynch” as we now understand that phrase with 1986’s Blue […]
Author’s note, March 2024: I’m leaving my original rating intact, but in retrospect, I was hedging against the fear that Dune: Part Two, if and when it was made, would let this film down. As such a thing did not end up happening, consider this to be a 4-star review in all but name. When […]
A review requested by Travis, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! Two decades into the 21st Century, the phrase “a Sam Raimi superhero movie” surely takes us straight to […]
A review requested by Not Fenimore, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! The 1985 Cannon Films production Lifeforce is two entirely different exploitation films in one. Three, if you […]
There’s simply no disentangling the things that are good about Reminiscence from the things that are bad. The film is the feature debut of writer-director Lisa Joy, who co-created the television series Westworld with her husband, Jonathan Nolan, and it is very much something that feels like it came from the mind of Christopher Nolan’s […]
Free Guy is a film that lives and dies on one consideration: how much do you like Ryan Reynolds’s “thing”? I have grown to dislike it very much. But by all available evidence the movie has turned out to be one of 2021’s most successful crowdpleasers, as one of the few releases in the post- […]
We’ve got to start somewhere, so why not with the question that I’ve been kicking around in my head since I finished Space Jam: A New Legacy: how can anyone worship a God vindictive and hateful enough to allow this movie to exist? No wait, that’s the other question I’ve been kicking around. The one […]
Black Widow is, on balance, a largely blank experience: devoid of anything particularly obnoxious other than a 133-minute running time that it seems to view as an obligation rather than an opportunity for expansive storytelling, pretty formulaic in every single element of its storytelling, packed with hollow action scenes that don’t hurt to watch, nor […]
“Why didn’t you make this other movie I would have liked better, instead of the movie you did make?” is one of the shabbiest angles a film critic can ever play, and I do not deny that in my time I have played it, to my shame. But it’s rare to find a film that […]
Everything that is worst about F9 – or to give its mildly bizarre, never-seen-onscreen full title, F9: The Fast Saga – is exactly the same as everything that makes it such a wonderfully ludicrous, over-the-top joy to behold. As the first honest-to-God watch-it-on-the-biggest screen possible Hollywood popcorn blockbuster in over a year, since the repulsive […]
The worst thing we can say about Oxygen is that it is a very gimmicky thriller based on an overfamiliar gimmick, but done by a director with a skill set extremely well-positioned to make the most of that gimmick, and starring an actor who wrings everything she possibly out of basically only three elements (her […]
The opening sequence of Stowaway, a new science fiction thriller by director Joe Penna that’s much heavier on the “science” than “thriller”, is a top-notch bit of space travel filmmaking that calls to mind all the best examples of the form from Apollo 13 to First Man; the last sequence is ginned-up sentimental horseshit that […]
