Discovering good movies, one bad movie at a time

Every week this summer, we’ll be taking an historical tour of the Hollywood blockbuster by examining an older film that is in some way a spiritual precursor to one of the weekend’s wide releases. In the week now ending: Downton Abbey: A New Era is a movie with a script by Julian Fellowes, focused on […]

If one has the directing bug, a bit of money burning a hole in one’s pocket, and a name that will sell a series to the BBC – for instance, Hugh Laurie – it would definitely be easy to decide to adapt an Agatha Christie novel. That’s just what you do. However, it’s what you […]

Categories: mysteries, television

A review requested by Kevin, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! In later years, Film Twitter has (in its Film Twitter way) decided that M. Night Shyamalan’s 2004 feature […]

A review requested by Morgan, with thanks to supporting Alternate Ending as a donor through Patreon. Do you have a movie you’d like to see reviewed? This and other perks can be found on our Patreon page! To call Southland Tales a messy film would be like calling the Battle of Stalingrad a little scuffle, […]

Setting aside the question the question of whether the end results are actually worth it – my answer would be “mostly, yes” – one must give After Yang the unhesitating credit that it is a complete work of narrative cinema, in which every element of the image and sound has been carefully positioned to work […]

There’s no argument I can imagine that director Matt Reeves’s The Batman, the first in what’s undoubtedly meant to be a new ongoing series built around DC Comics’ second-most iconic superhero, is “the best” Batman film to date. But I think no argument is necessary that it is “the most” Batman film, and I’m including […]

The new adaptation of Agatha Christie’s 1937 novel Death on the Nile written by Michael Green and directed by Kenneth Branagh is an almost perfect lateral move, quality-wise from the 2017 adaptation of Christie’s 1934 novel Murder on the Orient Express, also written by Green and directed by Branagh. In a sense, this already speaks […]

So here we are, lucky number 13 – Witchcraft 13: Blood of the Chosen, to be precise. And executive producer Jerry Pfeifer (the only common link between all thirteen of those films) and the good people at Vista Street Entertainment pulled out all the stops to celebrate hitting that milestone, having become the first (and […]

The fifth film in the Scream franchise has not been titled 5cream, which is all the proof you need that we live in a cruel, arbitrary universe devoid of meaning or justice. But other than that, this is a pretty snappy addition to the longrunning slasher movie franchise begun by a different movie with the […]

One cannot talk about Memoria (if one is an American, anyway) without talking about the simply batshit release strategy that its director, Apichatpong Weerasethakul, and its U.S. Distributor, Neon, have concocted for it. In short: one screen at a time in North America, one week at a time, and it will theoretically just float from […]

There’s no reason other than arbitrary numerology to compare the 2010 animated feature Tangled with the 2021 animated feature Encanto: the first is Official Disney Animated Feature #50 (a number arrived at with some corporate fudging, since it includes 2000’s Dinosaur, which really shouldn’t count; on the other hand, 1943’s Victory Through Air Power really […]

I would be tempted to say that Last Night in Soho is the film with which director Edgar Wright proves that he needs somebody else to write his screenplays, but then, didn’t we kind of already know that? Specifically, that he needs Simon Pegg to write his screenplays, or co-write them, anyway: the three Wright-Pegg […]