If the first three episodes of Paranoia Agent have suggested a world in distress, teetering on the edge of ruin both global (the disastrous inability of humans to communicate truly with one another) and individual (every featured character in the series save the blobby innocent Ushi has suffered from a crisis of personality in one form or another), it’s with “A Man’s Path” that we come at last to a wholly broken world: even more than in the magnificently grim “Double Lips” (which otherwise remains a tighter character study and more beautiful example of animation), this fourth episode is so unsparingly pessimistic about virtually every development of its story that it seriously questions whether the world it depicts has any redeeming features whatsoever.
Hirukawa Masami (Nakajima Toshihiko) has already been introduced to us: he was one of “Maria’s” clients in “Double Lips”. We now discover (the eagle-eyed learned it already, and my thanks to reader Sparrowsabre for pointing it out) that he’s not just a fat, grotesque john, but a dirty cop to boot, who sticks his nose in when Harumi is found, beaten insensate in an alley. His mission: to determine whether she’s mentioned her life as a prostitute to the investigating detectives. Luckily for Hirukawa and his yakuza friends, she hasn’t, but this situation still triggers the worst possible problem for the cop: the yakuza boss who has been lavishing him with whores and money wants to call in a massive loan that Hirukawa used to build his dream home for his family. With not other alternative in sight, Hirukawa turns to armed robbery, stealing from as many people as he can manage in just a few nights – but his illicit acts open him to blackmail, and he starts falling deeper into debt. A broken man at last, Hirukawa screams into the night for someone to stop him – and guess who shows up, but Lil’ Slugger, who wings the cop but doesn’t knock him out, and for his troubles is beaten into a hideous mess by the enraged officer. The next day, we return to the press conference that closed “Double Lips”, and to Detective Ikari, who has grave doubts about Hirukawa’s honesty, though he can’t put it into words.
A simple plot, though “A Man’s Path” is nothing at all like the “dirty cop gets in trouble” boilerplate that you’d expect. It is a ghastly parade of obscenities, centered around the character who, to this point, the most unabashedly disgusting man yet seen in Paranoia Agent.
I have claimed that “A Man’s Path” is the most pessimistic episode of the series thus far; while the others have been primarily focused on the inside of a single person’s warped mind, this entry doesn’t ever establish a baseline morality in the world outside Hirukawa. One of the first images we see is also the one that made me certain to use the word “obscene” somewhere in this write-up: it is the unconscious body of Harumi, right after her unfortunate run-in with Lil’ Slugger and Maria.
Corrupt the world is, though Hirukawa and his ilk add to that, rather than subtract from it, which may be the ultimate irony of “A Man’s Path”: it is precisely his desire to make a little slice of the world happier that directly leads to his bottoming-out, a pill-addled rapist and thief, lying in a heap of contemptible self-pity and self-loathing. A perfect candidate for whatever Lil’ Slugger is doing to his victims, all of them broken people in their worst moment; yet it’s impossible to believe that such a wanton scoundrel could actually stop a force as removed from culture or society as the boy with the bat. There’s something brewing in Paranoia Agent that still doesn’t make sense, but its clear that this world is about more than the weaknesses of the men and women who created it; if nothing else, the two subtle insertions of the eerie Maromi, one of them (on a shirt) specially designed to underscore his growing ubiquity in the pop cultural discourse of the series’ universe, are enough to remind us that there are mysteries in play which look to have an answer bigger than the vices of a single bad cop. Although, as a symptom of the rot in this world, Hirukawa’s prominent position here is ideally placed to remind us of just how deep that rot goes.